Teslagrad 2 is a step up in every respect to its previous installment, a fantastic platformer with a wonderful set of auxiliary gameplay elements anyone that loves 2D platformers should play this.

I had a bloody excellent time with The Tartarus Key. It hit me hard with the nostalgic presentation, and hooked me in with clever, well-crafted, and almost perfectly pitched puzzles throughout.

Zombie Derby 2 brings together Trials HD physics and the enjoyment of running over zombies in cars! I had a blast playing Zombie Derby 2; the controls were smooth, and the graphics were good and the music was perfectly matched. I’d have preferred not to have to need to repeat the same levels multiple times to progress, but other than that this was a fun evening of gaming.

Evil Wizard was a pleasant surprise to me. Taking the role of a villain, this game’s unique blend of dark humor and fourth wall-breaking antics is an absolute masterpiece. The witty dialogue and clever references had me smiling ear to ear while navigating me through this game ‘after the game’ (which will make more sense if you play it). The game seamlessly blends intense boss battles with moments of comedic relief, creating an unforgettable gaming experience. With its not-overly-complex gameplay mechanics and fun story beats, this game is a must-play for any fan of action adventure games, particularly those with a fondness of Deadpool style humor.

Camera control aside, Tin Hearts has been an utter joy to play. It’s charming, clever, looks and sounds lovely, and has just the right puzzle difficulty to have us looking forward to coming back for an hour or so each night.

No One Lives Under the Lighthouse is an enjoyably dark, surprising adventure that is well worth a look for those in the market for something a little obtuse, yet different.

Overall, we came away pretty underwhelmed with The Last Case of Benedict Fox. While there are seeds of good ideas here, the package as a whole just throws up too many hurdles for us to look past in order to seek them out.

Artistic expression is what will strike the biggest chord in Strayed Lights. There are lovely moments of beauty to unearth, and you will no doubt find a game ignited with a love for tranquillity and colour. However, empty spaces make Strayed Lights world feel uncomfortably abandoned at times, and the combat is based too heavily on precision and colour matching to engross. Thankfully, Strayed Lights is short, but it runs out of momentum too soon despite some impressive boss encounters and some gorgeous skies. Give it a whirl then, but you won’t feel like Strayed Lights is anything but a shallowly gentle gust that will blow by without the force it needed to stick in the mind.

With this many clumsy design decisions it is a miracle this game made it past pre-production. I will never look down on anyone that endorses playtesting again.

Mia and the Dragon Princess is another solid effort from the teams at Wales Interactive and Good Gate Media. The cast all put in some excellent performances, the story is brief but also full of interesting twists and turns, and it had us laughing far more than expected to with some classic British humour. For our money, this is one of the best live action adventures out there.

This is just disappointing from all angles. Boring combat in both gun feel and enemy AI, lifeless open worlds that actively discourage exploration, and hero powers that are flat out rubbish to use make not for the fun co-op shooter we were hoping for. A massive miss for Xbox, Arkane, and Game Pass.

The driving is smooth and fluid, the maps are vivid, and I love the characters and how they're made to perform. But let's be real here, gacha mechanics shouldn't even have been considered for a racing game.

The Library of Babel has beautiful art and an intriguing story, but the game built on top of that lacks polish and evokes old-school design in the worst way.

I know I am not the intended audience, however, I did have fun with this kart racer. Controls are simple with the added feature of auto acceleration for the younger players (or the lazy ones like me), while the graphics look good and are on point for the Gigantosaurus world.

In the mashup of the year comes Panic Porcupine which is kind of like throwing Sonic and Super Meat Boy into a blender. Overall the challenge of the game is fun to take on but can quickly become overwhelming if your skill isn’t up to it. If you are one that can keep the rage down and is decent at platforming, I would recommend this game. If you are one to need a new controller after dying over and over … and over again, then maybe save your controller and play something easier.

There’s enough here for fans of the Sherlock Holmes style detective games, though for me the constant back and forth between menus and uneven movement through the world left me uninspired to continue playing.

Nuclear Blaze is an absolute joy to play, be it taking it easy on Kid Mode or working through the 2 hour campaign on one of the multiple difficulty modes. The action and level progression is almost perfectly paced, it looks stunning, and only very, very rarely did we encounter a moment where we had anything less than great fun extinguishing flames.

Warm, inviting and pleasant, Coffee Talk Episode 2: Hibiscus And Butterfly is a wonderfully accessible and gentle graphic novel game with a beautifully well-meaning heart. Changes from its predecessor are minimal, but Hibiscus And Butterfly encourages you to discover an array of comforting drinks, while the cast of fantastical and not-so fantastical characters tell you about their life predicaments, their perils and their successes. Much like a good pick-me-up, Coffee Talk Episode 2 is as easy as you’d like but has space for you to master the fine art of being a top-tier barista in a busy bustling café. The addition of Hibiscus And Butterfly Pea brings a classiness and a radiance that will lighten your day, and there are reasons to replay the story several times through to see everything it has to show for itself. There’s still plenty of room for Coffee Talk to grow and flourish, but this sequel is well-worth diving into if you just want to take a pew, grab an eye-opener and relish in a bevvy of stories.

I hope you expected some running and gunning with a game called Guns N’ Runs because that is exactly what you get. Make no mistake though the challenge this game will bring you. Ultimately it was not the challenge that did it in for me but the blandness. While definitely retro inspired it was not an exciting experience that I would recommend to anyone other than those who love grinding out difficult games such as this.

I am impressed with Dead Island 2. The first Dead Island didn’t grab me as much and it was only when I tried the demo at the recent WASD event that it piqued my interest. There is a lot to enjoy about Dead Island 2. It looks stunning graphically, the story – although surreal – is gripping enough and the skill card level progression is refreshing. The combat is the feature that feels familiar and could have been quite dull over time, but Dambuster have introduced many things (such as curveballs) to keep things interesting. Fun solo, but even more enjoyable with a few friends, this long awaited zombie slasher comes recommended.

While the idea is novel and decent on paper, God of Rock left us wanting thanks to a tricky learning curve and music that fails to inspire replayability.

Pirates Outlaws is a solid deck-building roguelite that adds tons of content and lots of interesting spins on familiar formulas, it is an easy recommend for fans of the genre. For those that are new to this style – there are better places to start.

King of the Arcade does a fair job of being a cheaper title that gives you value for money. It’s not too difficult, it gives you a feel of what arcades used to look like in the past and there are plenty of different games to play. Those born around that era they will find the knockoff titles fun to play if not just amusing. It could be a fun way for a parent to expose their kids to games of the past without it being overwhelming and without all the loading.

Emoji Kart Racer lacks in content that is offered for the pricing they have selected. The sounds are if not annoying, the best part of the game. The music isn’t too short or too loud, except for the emoji’s sound effects for winning. The visuals are clean, colorful, and work for most levels. There are tracks influenced heavily by bigger, more well known Arcade racers. There are typos in some signage which I don’t think is intentional. The length of the time played is less than four hours and could have been shorter if the karts went a little faster. The AIs and respawning functionality removes all challenges. This title is for beginners and those who are younger. Had there been a better user interface for using items and targeting others and the scaled difficulty wasn’t so low, this could have been a worthy recommendation. The drifting was the biggest let down, or lack thereof. I was simply left wanting more from the control and handling. The design of the game was well done, just not the feel of how the kart rides.

The visuals are amazing, the game is simple and it has a heart, that I can say about Minecraft Legends. There are things that could’ve been done better and it’s not as complex as the Civilization games – or any strategy game for that matter – but Mojang and Blackbird Interactive get my respect for venturing off into the unknown and finding a treasure like this.

Not For Broadcast is unlike anything I’ve played before. The tv-editing simulator gameplay presses all the right buttons, keeping you engaged in a well-written story packed with humor. The writing really clicks with many elements, riffing on real-world events over the past few years. I don’t know how well the story will age, but the gameplay is so unique that I have no doubt it will stand the test of time. I give Not For Broadcast my full recommendation. I know some of the games I get behind can be somewhat niche and might not be for everyone, but I really believe Not For Broadcast has mass appeal, scoring high in all demographics.

Flat screen or not, The Last Worker had us hooked from start to finish thanks to excellent writing, a charming art style, and constantly changing gameplay and mechanics that rarely outstay their welcome.

The concept of Murderous Muses is great, with randomised runs meaning every game can and will play out differently, giving dedicated players a new challenge to solve each time. However, unless you’re completely invested it can be tricky to keep track of the clues given. Some wonderfully camp acting and an over the top story at least makes even failed runs entertaining, though a little more help – especially early on – wouldn’t have gone amiss.