Summary"In the criminal justice system, sexually based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories."
Summary"In the criminal justice system, sexually based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories."
Despite a bizarre courtroom sequence that strains credibility early in the episode, this is a very good start for Special Victims Unit, which promises to be a solid cop drama capable of occasionally stretching toward greatness.
Really great show!
can we all agree that Cardigan by Taylor Swift is the most accurately written and relatable song about being cheated on? it's like a bunch of stories compiled together to make a new one. from 'a friend to all is a friend to none', it's like a reminder that your partner's friend isn't your friend. sometimes they are the ones who tolerate the betrayal. or sometimes it's actually from a friend of yours where the betrayal starts. and 'chase two girls, lose the one', a consequence of cheating that you're not just losing one of them, but actually the one. to 'playing hide-and-seek and giving me your weekends', the feeling of longing for something because he was always physically unavailable, and meeting someone behind the mall. and 'you drew stars around my scars, but now i'm bleeding," they somehow assured you, gave light to your dark past. however, they still did the things you told them that once hurt you. until, "i knew you, tried to change the ending: peter losing wendy" when they were trying to turn the table and change the narration of the story. when they were trying to make that it was wendy who was losing peter. when they were trying to look innocent through lies. and of course, "i knew you, leaving like a father, running like water" when they ran from their responsibility and didn't even have the face to hold themselves accountable for what they had done. and people would think that it's fine; it was just puppy love. we are all deprived of expressing ourselves, from sensual politics to feeling like a cardigan under someone's bed, because when you are young, they always assume that you know nothing.
Victims Unit also imports Mr. Belzer's sardonic John Munch character from NBC's canceled Homicide: Life on the Street. His wise-guy asides are a little forced in this first hour, as are some of the recurring sexual references. But the featured case gets more compelling by the minute. [20 Sept 1999, p.1C]
First episode lacks the energy and grit of the first season of "Law & Order," but Anthony Jannelli's camera work reveals the guilty, and director Jean De Segonzac and editor Doug Ibold keep the action taught even when it's apparent exactly where things are headed.
At times, Law & Order: Special Victims Unit flashes the same no-nonsense style of its sire: spare writing, quick pacing, ripped-from-the-headlines plot. But for much of the time, tonight's premiere is enervating, plodding and dull, which seems kind of odd when you're dealing with crimes of passion. [20 Sept 1999, p.E-3]
The problem is that the new show makes the original look far better...There isn't enough special yet about this Special Victims Unit. [19 Sept 1999, p.F1]
Eh. It's okay, not the best series in the world, but if you have nothing better to do... I will say some of the episodes can be pretty interesting to watch, and the whole appeal of the show is finding out "who did it". It's not all bad, give it a watch, but don't indulge yourself in every episode ever, there are A LOT of them first of all, but secondly only do it if you're feeling up to it.