SummaryKyle Barnes (Patrick Fugit) has been suffering from demonic possessions his entire life. With the help of Reverend Anderson (Philip Glenister), Kyle seeks answers that could end life on Earth in this TV adaptation of the comic created by Robert Kirkman and Paul Azaceta.
SummaryKyle Barnes (Patrick Fugit) has been suffering from demonic possessions his entire life. With the help of Reverend Anderson (Philip Glenister), Kyle seeks answers that could end life on Earth in this TV adaptation of the comic created by Robert Kirkman and Paul Azaceta.
Outcast is incredibly visceral, both in its scenes of demonic possession and in the punch-happy tactics of the titular amateur exorcist. But it's also a tense, meditative psychological drama about trauma, redemption and belief, with nuanced performances throughout and a grim but arresting visual style that is not without flashes of humor.
When more and more possessions begin to pop up in Rome, a series of events that Kyle believes is directly related to him, he is partnered with a priest, Reverend Anderson (Philip Glenister), and the series becomes an equally fascinating contemplation of the basic usage and worth of religion.
In its second and third episodes, the material periodically drags to a crawl while laying the bedrock foundation for forthcoming action. And its habit of leaving key details and interpersonal dynamics vague borders on irritating. Though it resumes building momentum by the end of its fourth chapter, there’s a sense that the show requires somewhat more vigorous storytelling.
This is the sort of unrelenting frightfest that finds menace in objects as ordinary as a Hummel figurine. Before long, you may cringe whenever anyone goes to open a closet or pantry door. [6-19 Jun 2016, p.19]
Kyle gives Outcast dimension, but Anderson makes it vital. Unfortunately, the crowded script slows them down. Too often, Outcast, like it’s demons, depends on the terrifying seductions of possession to hold our attention.