New Musical Express (NME)'s Scores
- Music
For 6,016 reviews, this publication has graded:
-
55% higher than the average critic
-
4% same as the average critic
-
41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
---|---|---|
Lowest review score: | Maroon |
Score distribution:
-
Positive: 4,236 out of 6016
-
Mixed: 1,627 out of 6016
-
Negative: 153 out of 6016
6016
music
reviews
- By Date
- By Critic Score
-
- Critic Score
Clavish narrates his story against a backdrop of deep subs, eerie synth melodies, and dark ambience that allow his bars to cut through with a real sharpness. If he learns to refine his output a little, there’s no reason Clavish can’t achieve the levels of stardom he’s been tipped to reach.- New Musical Express (NME)
- Posted Jan 25, 2023
- Read full review
-
- Critic Score
Much like the sardonic vocals heard in the latest post-punk revival, Ice Spice says plenty in her delivery, relying on the tonality of her voice – levelled, calm – to do much of the heavy lifting. It makes ‘Like…?’, her debut project, such a sharp listen. Her voice remains monotone but that only makes the lines hit harder.- New Musical Express (NME)
- Posted Jan 24, 2023
- Read full review
-
- Critic Score
By tying together contrasting sounds and stories into this brilliant collection, Biig Piig embraces the joy of reinvention.- New Musical Express (NME)
- Posted Jan 20, 2023
- Read full review
-
- Critic Score
The Murder Capital may have arrived with a shout and a fist but they’re soaring now with nuance, ideas, a whole lot of heart and the first great guitar album of 2023.- New Musical Express (NME)
- Posted Jan 19, 2023
- Read full review
-
- Critic Score
Unsurprisingly, it’s overcooked in places. In addition to super-producer Max Martin (Taylor Swift, Katy Perry), an array of producers come and go on the 17-track record that nearly stretches to a full hour. ... But little could possibly dampen the record’s spirit and spunk.- New Musical Express (NME)
- Posted Jan 19, 2023
- Read full review
-
- Critic Score
The inner battles of ‘Permanent Damage’ are unflinching, and will likely stay with you long after the songs finish. It’s slightly deflating, then, that its instrumental flourishes often fade into the background, making for an album that takes risks without ever quite putting itself out there.- New Musical Express (NME)
- Posted Jan 12, 2023
- Read full review
-
- Critic Score
It’s sonically brave and lyrically obstinate, a rare delight that stands out from its counterparts.- New Musical Express (NME)
- Posted Jan 12, 2023
- Read full review
-
- Critic Score
While there are moments of brilliance, it’s clear there are too many chefs in the kitchen.- New Musical Express (NME)
- Posted Jan 11, 2023
- Read full review
-
- Critic Score
The odd well-intentioned platitude hardly spoils an album of killer choruses on which Ryder’s infectious likeability shines through at all times. Next time he might want to chuck in a few more curveballs, but for now, ‘There’s Nothing But Space, Man!’ sounds like the beginning of what could be a really stellar career.- New Musical Express (NME)
- Posted Jan 10, 2023
- Read full review
-
- Critic Score
‘Every Loser’ is a present-day primal punk resurrection from the only musician qualified to make one.- New Musical Express (NME)
- Posted Jan 4, 2023
- Read full review
-
- Critic Score
‘More Love Less Ego’ is a masterful collection that sees Wizkid beginning to truly perfect his universal pop sound.- New Musical Express (NME)
- Posted Dec 13, 2022
- Read full review
-
- Critic Score
Simz’s storytelling is deft and full of range, gliding between generational trauma (‘Broken’) and faith and the grind (‘Who Even Cares’) with ease. The album’s sonic palette, meanwhile, takes on a mellower and less grandiose tone, with Inflo – the producer behind her last two records and the mysterious musical project Sault – and collaborator Cleo Sol bringing a warm, homely base for Simz to nestle in.- New Musical Express (NME)
- Posted Dec 12, 2022
- Read full review
-
- Critic Score
‘SOS’ is just that – a phenomenal record that barely puts a foot wrong and raises the bar even higher than she set it before.- New Musical Express (NME)
- Posted Dec 8, 2022
- Read full review
-
- Critic Score
It’s too early to tell if the record will help the BTS leader achieve his goal of creating something truly timeless but, in this moment, ‘Indigo’ feels like a masterpiece with the potential to be remembered as a classic.- New Musical Express (NME)
- Posted Dec 6, 2022
- Read full review
-
- Critic Score
There is a small sense of disappointment that we don’t get to hear Stormzy let loose on the mic more often, but then this record was never going to be a recreation of ‘Heavy Is The Head’ or ‘Gang Signs & Prayer’s proclivity for immediate grime hits. The hard-hitting lyricism is still present, though.- New Musical Express (NME)
- Posted Nov 28, 2022
- Read full review
-
- Critic Score
Now well into her stride as a solo artist, with ‘Black Girl Magic’ Dijon has produced another collection of standout, all-inclusive house classics that’ll dominate dancefloors for years to come.- New Musical Express (NME)
- Posted Nov 21, 2022
- Read full review
-
- Critic Score
This pared down approach will likely disappoint some fans who hoped to hear final contributions from vocalists Champion, Joba, Merlyn Wood and Dom McLennon. But this is Abstract’s moment to write the final Brockhampton chapter, and it’s heavy on the confessions.- New Musical Express (NME)
- Posted Nov 18, 2022
- Read full review
-
- Critic Score
By being pliable, open and more tender, Mering seems to suggest, perhaps we can save ourselves from the doom that this stunning record finds itself gripped within.- New Musical Express (NME)
- Posted Nov 16, 2022
- Read full review
-
- Critic Score
It’s a satisfying ride. This smooth and consistent journey through nostalgia and the energy of new ideas means that ‘Profound Mysteries’ parts one and two stand up as latter-day career triumphs for Röyksopp.- New Musical Express (NME)
- Posted Nov 14, 2022
- Read full review
-
- Critic Score
Though these are often beautiful and uneasy songs, too many of them feel rudderless.- New Musical Express (NME)
- Posted Nov 14, 2022
- Read full review
-
- Critic Score
With ‘King’s Disease III’, the New York rapper has put the seal on a strong album trilogy that proves that, three decades in, he’s still a force to be reckoned with.- New Musical Express (NME)
- Posted Nov 14, 2022
- Read full review
-
- Critic Score
If ‘Walls’ found Tomlinson still figuring out what this part of his artistic journey should be, ‘Faith In The Future’ feels much more assured. It doesn’t reinvent the wheel of modern guitar music, but is a solid step forward as the musician continues what he’s acknowledged will be “an ever-evolving process”.- New Musical Express (NME)
- Posted Nov 10, 2022
- Read full review
-
- Critic Score
Not only does it shine a light on what inspires one of the greatest living American songwriters, it also works to preserve the greats of the past and ensures that the best music and stories continue to survive.- New Musical Express (NME)
- Posted Nov 9, 2022
- Read full review
-
- Critic Score
‘Loud Without Noise’ covers a lot of ground – including relationships, mental health, and social inequality – with the songs working on two levels. Minto often addresses an issue on a broader scale, while also tying it to personal experience.- New Musical Express (NME)
- Posted Nov 8, 2022
- Read full review
-
- Critic Score
This latest album is his most fully-realised yet. There may be no answers to be found on ‘Worm Food’ but who needs them, when there’s so much raw honesty, understanding and self-empowerment.- New Musical Express (NME)
- Posted Nov 8, 2022
- Read full review
-
- Critic Score
Woven from a great many creative ideas, ‘Miss Power’ could have felt messy. But through Constance’s skilful bird’s eye view, it instead twists the key in the pandora’s box of her potential, re-introducing her unique take on the world.- New Musical Express (NME)
- Posted Nov 7, 2022
- Read full review
-
- New Musical Express (NME)
- Posted Nov 7, 2022
- Read full review
-
- Critic Score
It’s yet more evidence that Drake’s art is suffering under the strain of his obsession with churning out as much music as is physically possible. And while 21 doesn’t have the same problem, both halves of the duo are responsible for an album that had the potential to be a classic, and missed.- New Musical Express (NME)
- Posted Nov 7, 2022
- Read full review
-
- Critic Score
For ‘Big Joanie’ to musically expand this thoroughly yet retain the core of their appeal and singular brilliance on ‘Back Home’ feels remarkable, and you get a sense that it’s far from a final form for the band.- New Musical Express (NME)
- Posted Nov 3, 2022
- Read full review
-
- Critic Score
Another gem in First Aid Kit’s consistently good arsenal of timeless, harmony-rich roots music.- New Musical Express (NME)
- Posted Nov 3, 2022
- Read full review