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Mar 19, 2024Bleachers is agreeable and safe, but there's a fumbling listlessness to the whole thing, a lack of dynamism that makes it fade into white noise. Antonoff’s latest is not the grand, drive-off-into-the-sun record that Strange Desire or even Gone Now strove to be and sometimes became — Bleachers is a commuter’s record through and through.
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Mar 7, 2024Bleachers occasionally lets Antonoff’s genius shine through, but more often it feels like an experiment gone awry.
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Mar 7, 2024Bleachers would have felt more complete if their signature goofiness prominent in the upbeat production had seeped into more tracks. Despite some occasionally affecting lines, songwriting isn’t their forte; instrumentation is.
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UncutMar 6, 2024Moody shades of The National and Tunnel Of Love-era Springsteen abound, though the whole thing never quite manages to fully convince. [Mar 2024, p.25]
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Mar 11, 2024While Bleachers is far from being a bad album, it’s even further from being an exciting one.