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MojoMay 17, 2011Despite including some familiarly-styled acoustic reflections, 101 is very different to 2007's New York-influenced Keren Ann. [May 2011, p.104]
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Q MagazineMay 17, 2011Her sense of foreboding remains intact, as does her way with a spooked Portishead-esque rhythm and a keeningly intelligent lyric. [May 2011, p.119]
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Apr 14, 2011Slipping easily between lush orchestral pop and electronic symphonics redolent of Air, she also keeps a firm hand on the lyrical tiller, occasionally even bearing comparison to the poetic pith of Leonard Cohen.