• Record Label: Columbia
  • Release Date: May 22, 2012
Metascore
60

Mixed or average reviews - based on 24 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 24
  2. Negative: 1 out of 24
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  1. Magnet
    Jun 13, 2012
    85
    On [A Joyful Noise] the fire of youth has been replaced by a sexy confidence that oozes cool. [No.88 p.54]
  2. May 14, 2012
    80
    A great album full of slightly haywire, unpretentious pop music.
  3. 80
    What's happened is a slight scaling-down of Ditto's approach, so as not to burst the hems of the more restrained arrangements. It's actually worked to her advantage.
  4. Uncut
    May 9, 2012
    80
    A Joyful Noise strikes a healthy balance between tears-on-the-dancefloor hi-NRG and Gossip's bluesy swagger. [Jun 2012, p.73]
  5. May 29, 2012
    70
    A Joyful Noise isn't as raw or immediate as any of the Gossip's earlier albums, which makes it a bit of a grower for anyone attached to the band's previous firepower.
  6. 67
    Without a clear purpose, most of A Joyful Noise blends into a fog of wandering melodies and come-and-go beats that sound ambivalent about even wanting your attention.
  7. Mojo
    Jul 18, 2012
    60
    Toweringly camp singles like the slinky Perfect World and an album to enjoy on shuffle. [Jun 2012, p.92]
  8. Q Magazine
    Jun 20, 2012
    60
    Serviceable camp pop as it is, there's little here to attract anyone who hasn't already bought into Gossip. [Jun 2012, p.102]
  9. May 14, 2012
    60
    Most of these tunes are neither dog turd nor diamond. They're decent-ish disco-punk stompers sold by the vocal.
  10. May 10, 2012
    60
    A Joyful Noise is a brave stab at something new.
  11. May 9, 2012
    60
    You could argue that A Joyful Noise is the album Madonna should be brave enough to make. But it might also be the case that it's the album that Gossip should have been brave enough not to.
  12. May 9, 2012
    60
    A Joyful Noise is the sound of Gossip taking their love of dance floor pop to its natural conclusion with their most obvious and accessible album yet.
  13. Jun 4, 2012
    59
    [Song "Casualties of War" is] the sole promising moment on an album that ranges from average to disappointing. In the end, Joyful Noise feels like a stopgap.
  14. May 29, 2012
    58
    While Gossip prove themselves capable practitioners of disco-fraught anthems like Noise's "Move In The Right Direction" and "Get Lost"--Ditto in particular continues to inject more nuance into her bullhorn vocals with every record--the most compelling tracks on A Joyful Noise are the few that don't entirely conform to the template.
  15. May 24, 2012
    50
    Here they seem to have devolved, finally, into just plain pop.
  16. May 21, 2012
    50
    Too often the songs here are forgettable, but Ditto continues to sing impressively.
  17. May 21, 2012
    50
    An album that wears its disposability on its sleeve.
  18. Jun 15, 2012
    40
    It's a boring album, it's a depressing album, but it's also a deeply cynical album.
  19. May 21, 2012
    40
    In the end, though, the groans far outweigh the mindless fun.
  20. May 18, 2012
    40
    A Joyful Noise is a femme-power event album too shallow to achieve the import its creators intended.
  21. May 17, 2012
    40
    The results turn out to be lifeless instead of uplifting and accessible as they'd hoped.
  22. May 14, 2012
    40
    The usually redoubtable Beth Ditto sounds less like the spirit of riot grrrl and more like a wannabe material girl.
  23. Ditto & co ... appear to have disastrously lost their fire. Only "Love in a Foreign Place" shows the sort of strutting disco beast they are capable of. It's too little. But not, one still hopes, too late.
  24. 30
    More problematic than the bad lyrics or air of disengagement is Higgins' involvement. Too much of the album sounds washed out and painfully clean.
User Score
7.2

Generally favorable reviews- based on 13 Ratings

User score distribution:
  1. Positive: 9 out of 13
  2. Negative: 2 out of 13
  1. Jun 25, 2012
    10
    Crazy critic reviewers, this album works for me and has grown on me with each listen, it's now my favourite album of the year. I reallyCrazy critic reviewers, this album works for me and has grown on me with each listen, it's now my favourite album of the year. I really enjoyed their previous albums and this is probably a bit more 'poppy', but I'm never sure why that's always considered a bad thing. Beth Ditto's voice seems to have softened a lot on this album and that's also both a good and bad thing, I hope it's not gone for good, but it is nice to hear the difference. Specific track comments; Perfect World is fantastic, Get A Job great lyrics and mellow dancer, Move In the Right Direction is also a standout track and Into the Wild is timeless, actually the more I listen to this album the more I love each track and for me the joy in the album is the softer tone from their previous works. I'm sure I'll be listening to this as much as I listen to their other stuff. Full Review »
  2. May 29, 2012
    7
    Seems as if Metacritic is getting lazy. Where's the Spin review? Looks like they're not posting a lot of the positive reviews. You can find aSeems as if Metacritic is getting lazy. Where's the Spin review? Looks like they're not posting a lot of the positive reviews. You can find a lot of great reviews from legitimate publications various places online. Google the reviews on this album! It's a great, solid record. Dancy and funky and still punky! Blondie went disco - get over it haters! Key Tracks: Melody Emergency, Perfect World, Get a Job, Move in the Right Direction, Get Lost, Horns I give the album a solid 3.5 out of 5 stars. :) Full Review »
  3. May 26, 2012
    0
    I love Gossip but this new record is **** It sounds like some cookie-cutter Xenomania-produced garbage. Where's the Gossip edge? Where are theI love Gossip but this new record is **** It sounds like some cookie-cutter Xenomania-produced garbage. Where's the Gossip edge? Where are the guitars? The dreadful album cover alone should have been enough to warn me that this record was going to suck. Standing in the Way of Control and Music for Men were so good. WTF happened??? Did David Guetta roofy them and steal their studio? If they were going to do a straight dance record, they could have at least hired a good producer like Erol Alkan or Paul Epworth. F A I L Full Review »