After the Party
by The Menzingers
  • Record Label: Epitaph
  • Release Date: Feb 3, 2017
User Score
8.1

Universal acclaim- based on 22 Ratings

User score distribution:
  1. Positive: 19 out of 22
  2. Mixed: 2 out of 22
  3. Negative: 1 out of 22
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  1. Music_Observer
    May 16, 2017
    6
    The only thing that The Menzingers got consistently right on this album were strong melodic lines, and the overall song structures and presentations were too clean and careful for their goals, catering only to refined pop-punk lovers. My Score: 117/180 (Good) = 6.5/10
  2. sairagnarok
    Sep 3, 2017
    9
    Great album about your 'younger' years being over. Lyrically and melodically a worthy record. Loved it from start to finish and can't wait to see what these guys do next!
  3. Roo182
    Dec 31, 2018
    8
    From the first moment I heard Lookers in late 2016, I knew that this album was going to be special. I LOVE this little Scranton, PA band so damn much (shout out to The Office fans). Forewarning - I get really excited/sweaty listening to this album, so much so that at the last second I moved it from 6th to 4th. I tried to dial back the words on this review, but it was a challenge.From the first moment I heard Lookers in late 2016, I knew that this album was going to be special. I LOVE this little Scranton, PA band so damn much (shout out to The Office fans). Forewarning - I get really excited/sweaty listening to this album, so much so that at the last second I moved it from 6th to 4th. I tried to dial back the words on this review, but it was a challenge.

    Discovering them 6 years ago may have been one of the better things to happen to me. While their previous record, Rented World (2014), wasn’t as strong as its predecessors, I will stick my neck out and say that After the Party comes VERY close to the level of delicious that was On The Impossible Past (2012). And that level of deliciousness is a SPICY MEAT-A-BALL.

    The Menzingers have a trademark punk-rock-&-roll sound that I’m addicted to, and on this record it’s as if they (somehow) upgraded it to be a little peppier. Every track is so goddamn catchy it’s hard not to give this record back to back listens. They’ve also worked out a way to capture the story or feeling of life in the 1950′s without either losing a modern sound or actually talking about the 1950′s. When I say “rock and roll” the opening track, Tellin’ Lies, sounds like something the house band at a bowling alley would play to kick off a swingin’ night of pin smashing - but it’s about working out what the heck to do when your 20′s are over. It happens again in Lookers, Charlie’s Army, Black Mass and Bad Catholics - all beyond comprehension at how excellent they are.

    Lyrically, the Zingers have always been very talented at telling you a story and they keep the blade sharp with some brilliant material here. I suggest you listen very closely as I found quite a lot of the content relatable, quirky, satisfying or oddly distressing. The album cover definitely portrays a man who’s just been on the emotional roller coaster behind him right after he stepped off the Ferris wheel of **** yeah.

    Best Tracks: Tellin’ Lies - Lookers - Charlie’s Army - Bad Catholics - After The Party
    2017 Listens: 400+    … Expand

Critic Reviews

All reviews »
Metascore
80

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 16
  2. Mixed: 2 out of 16
  3. Negative: 0 out of 16
  1. Sputnikmusic
    Jul 11, 2017
    100
    Unrelenting, uncompromising, and infinitely catchy, After the Party is a statement album that proves The Menzingers are the best in the business.
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  2. No Ripcord
    Feb 9, 2017
    60
    Ultimately, it’s disappointing to see how The Menzingers are continuing an unremarkable plan of action when they should be challenging themselves even further.
    Read full review
  3. Pitchfork
    Feb 8, 2017
    65
    After the Party might actually be too well-designed for jukeboxes, as the relentless, face-to-the-glass production results in the sad cowpoke shuffle of “Black Mass” and the Meatloaf-inspired “The Bars” clocking in at about the same volume as everything else, denying a dynamic range that’s needed on a record that lives up to its title by sticking around one or two songs longer than it probably should.
    Read full review
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