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He’s named after his father’s best fishing fly, but the pastoral folk moments on Stephen Wilkinson’s fifth album of chummy electronica pale next to the glut of nostalgic yearning.
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Bibio’s tendency, across the album, to either smooth the edges of his creations into non-threatening abstraction or fail to zone in on his best ideas is frustrating.
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Bibio's debut for Warp (he's a Mush alum) sounds like the last 10 years of Warp albumized: he noses ahead of Grizzly Bear's latest in terms of likability ('All the Flowers') as often as he lags slightly behind Prefuse 73 in terms of pure choppage chops ('Fire Ant').
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MojoAmbivalence Avenue presents a livlier Bibio, tastefully absorbing hip hop and disco beats. [Aug 2009, p.104]
User score distribution:
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Positive: 13 out of 14
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Mixed: 1 out of 14
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Negative: 0 out of 14
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NachoCJul 17, 2009