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Arrivals is just about a palatable enough affair; a minor stretch at sixty-two minutes but with enough peaks to be eaten in three sittings or so.
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Let's just call it an hour's worth of creepy, organic, nearly always-tension-building electronic ambience which certainly owes as much, if not more, to the hidden influences as the obvious ones.
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Everything about Arrivals points to it being a landmark release for both post-rock and IDM, two genres that seem to be well past their prime.
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The music is so immaculately tasteful that it's hard to figure out how they chose such a silly band name. (It's from a song by the Belgian band dEUS, which makes it no less silly.) But they got the album title right--they've arrived.
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At fifty minutes long, and without a single climax, Arrivals becomes exhausting in its maturity, composure and homogeneity. And while it is a great album to chill, think and lose yourself in, it doesn’t seem to shed much warmth, much emotion.