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- Record Label: Virtual Label
- Release Date: Apr 14, 2017
- Summary: The second of two releases in 2017 for the avant-garde artist was recorded live in a New York church.
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- Record Label: Virtual Label
- Genre(s): Avant-Garde, Pop/Rock, Alternative/Indie Rock
- More Details and Credits »
Score distribution:
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Positive: 6 out of 6
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Mixed: 0 out of 6
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Negative: 0 out of 6
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Apr 26, 2017The diversity of the material provides Galás with an opportunity to showcase the full range of her vocal talents.
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Apr 26, 2017The church's natural reverb provides a chilling reverse-incubation to her trembling vibrato, and at times, her breath too itself is transformed into a fluttering instrument, frantically encompassing all angles of the space.
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UncutApr 26, 2017At Saint Thomas The Apostle Harlem proves she's become just as expressive as a pianist as she is with her bloodcurdling wails. [May 2017, p.30]
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The WireJun 2, 2017Although the album is ostensibly live, the natural effects Galás can create in her voice places the album in an uncomfortably solitary place, as if the audience has been struck dumb, the piano close, Galás herself able to fly like a spirit to any point within the church’s space. [Apr 2017, p.53]
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MagnetApr 26, 2017Both [At Saint Thomas the Apostle Harlem and All The Way] elicit a simultaneous sense of terror and wonder as to what demons are flowing through her bloodstream and how she's managed to harness them for the power of artistic good. [No. 141, p.57]
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Apr 26, 2017At Saint Thomas feels drier. The virtuosically unspooling vocal runs of “Die Stunde Kommt” feel particularly embodied, like you’re watching her vocal cords come unraveled there in person.
Score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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Jun 8, 2017
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Jun 8, 2017
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Jun 8, 2017
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