User Score
Generally favorable reviews- based on 71 Ratings
User score distribution:
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Positive: 60 out of 71
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Mixed: 6 out of 71
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Negative: 5 out of 71
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Jun 22, 2018After the past two NIN releases, this release is totally out of left field. And it is pretty great. Lots more aggression than there has been in years. Tons of experimentation. Its great.
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Jun 24, 2018
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Jun 24, 2018Good, short, to the point album from reznor and ross. The instrumental tracks are a little off putting but apart from that, an excellent album
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Jun 24, 2018Solid album with new sounds to offer in the NIN catalogue. Of the latest releases from NIN, this one is the most thought provoking and the most personnel. I escaped for 30 minutes and 14 seconds.
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Jun 23, 2018
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Jun 23, 2018
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Jun 22, 2018
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Jul 12, 2018The 'return to form' narrative is in full effect, as are the 'this is much more experimental' claims. In reality, neither is true. This is a solid release, about the same quality of all Reznor's output over the last six or seven years. The jazz influence is welcome, the crooner-esque vocals slightly less so. Not bad.
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Jun 25, 2018The LP contains some of the most interesting and creative moments since The Slip, yet it goes on top even that album. Overall, NIN is in their prime.
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Feb 1, 2020this album is mixing experimentation and aggression . I just love the saxophone on several tracks. It is worth to listen to it.
Awards & Rankings
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Jul 9, 2018While he denies us simple solutions, he uses this album to open sounds and atmospheres stranger and more daring than he’s used before. Rather than looking for answers, maybe the questions are what truly matter.
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Jun 29, 2018With Bad Witch, Reznor and Ross have proven their staying power as one of heavy music’s most formidable outfits, honoring their roots while looking forward into bold, new transcendent territory.
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Jun 28, 2018While never quite holding together as a set, NIN continues to admirably cover new ground while doing what they do best, namely reflecting humanity’s worst impulses.