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The WireNov 6, 2020Things heat up a bit on “Misanthrope Gets Lunch” and “Oblivion Sigil”, when the shrill bursts from Kyp Malone’s synthesizer and Marcos Rodriguez’s guitar face off against one another like Irmin Schmidt and Michael Karoli of Can did on Delay 1968, but sadly, those are the only flashes of excitement to be found on the release. [Oct 2020, p.59]
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UncutAug 24, 2020It's a familiar mode - "instant vaguely leftfield record collection"- but it's beautifully played, and a reminder that Dwyer can occasionally do restraint. [Sep 2020, p.25]
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MojoAug 24, 2020Bold and absorbing set. [Sep 2020, p.82]