- Critic score
- Publication
- By date
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Andy Barlow's productions have been defanged; no longer surprising and innovative, they exist as merely proper frameworks for the songs.
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Given Lamb's heady back catalogue, some may dismiss this album as digestible trip-pop free of synthetic intricacies and sonic meanderings.... [But] it's the first to harness 100% of their talent as a band.
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All the spiky edges have been worn away.
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Entertainment WeeklyThey remain beautifully true to form. [Listen 2 This supplement, Feb 2004, p.16]
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Alternating from quietly meditative numbers to aggressive drum n bass backdrops, Between Darkness And Wonder treads carefully between insight and superficiality, but ultimately ends up... closer to the former.
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MojoLamb offer the perfect antidote to all manner of vapid pop-cultural vomitus without sounding pretentious or preachy. [Dec 2003, p.118]
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Sometimes life-affirming, sometimes unsettling, but always a thing of great beauty.
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Q MagazinePrevious albums threatened to impress but always came with bits missing. This is the finished article. [Dec 2003, p.130]
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With an approach that seems so clinical, the album sounds cold and soulless -- and, well, boring.
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The beats are intricate but ineffectual, the songwriting is thin and every song is enveloped in a suffocating orchestral shroud.
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UncutCasts them as confident modern classicists. [Dec 2003, p.126]
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UrbThe fractious tension producer [Barlow] normally whips up to counter [Rhodes] is almost completely absent, thus allowing the run of tracks to discreetly slide off into the background. [Mar 2004, p.110]
Awards & Rankings
User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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auriussAug 11, 2004best album of LAMB
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BettyBApr 5, 2004Give it two days of background listening and all the pretty comments listed above will instantly disolve...
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TheOmenFeb 25, 2004