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- Summary: The changing dynamics of the relationship between a small town couple when they move to the big city is the concept behind the third full-length release for the British rock band led by Harry McVeigh.
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- Record Label: Polydor
- Genre(s): Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, New Wave/Post-Punk Revival
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Score distribution:
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Positive: 8 out of 18
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Mixed: 10 out of 18
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Negative: 0 out of 18
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Q MagazineAug 20, 2013There's a sense of make or break here, but it's clear what they deserve. [Sep 2013, p.109]
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Aug 8, 2013Yes, they are working with a previously-explored aesthetic, but they are molding it into a beautifully-original product, per a vision that refuses to forget music’s former greatness.
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Aug 7, 2013The concept is interesting, it fits well with the sonic ambitions of the band, and for the most part it flows effectively and has good changes of timing and pace.
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Aug 8, 2013As in the work of Simon Le Bon and Jim Kerr, an amalgam of which singer Harry McVeigh theatrically channels, dumb lyrics can be mitigated by robust anthems.
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MojoAug 13, 2013Production detail aside, their is little tinkering with their formula. [Sep 2013, p.91]
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Aug 12, 2013For all their melodic nous, though, White Lies often sounded like the barely-not-teenagers they were; fixating on the downside, inflating everything out of all proportion.
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UncutAug 7, 2013Portentous electronic rock made for audiences that stretch out as far as the eye can see, and choruses pilfered from a mid-'80s installment of Now That's What I Call Music! [Sep 2013, p.97]
Score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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Jan 13, 2014
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Aug 28, 2013
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Apr 30, 2014
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Aug 7, 2019
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Aug 28, 2013
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