Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Jun 10, 2013Together with Duke Garwood, on Black Pudding he's created something rich and delicious.
-
Jun 4, 2013Another strong addition to Lanegan’s increasingly impressive canon, it makes despair sound worryingly inviting.
-
May 17, 2013Black Pudding might not be High Plains Drifter, but it’s a suitably entertaining bad-ass diversion a la The Gauntlet.
-
May 17, 2013By plunging impassively into their own hearts of darkness, Mark Lanegan and Duke Garwood have demonstrated that there’s still plenty of life lurking in the muddy waters of the blues.
-
May 17, 2013Yes, it takes several listens to really get into it and separate the songs from one other, and there are a few duds (“Sphinx” and “Driver”, in particular), but the term “cult album” was coined for records such as Black Pudding.
-
May 16, 2013An unassuming and bewitching masterpiece.
-
May 14, 2013Although a quiet album, it’s not one that ever seems to tire, always remaining interesting.
-
May 13, 2013Garwood's haunted musical vision is seamlessly suited to underscore Lanegan's dry-as-dust vocals and his American Gothic lyric skills.
-
Q MagazineMay 13, 2013If you haven't bought one of his [Mark Lanegan's] records for a while, this is a great place to get reacquainted. [Jun 2013, p.100]
-
May 13, 2013So we get the usual talk of death rides, mescalitoes and, erm, black pudding. But when the duo do click, it’s masterful.
-
MagnetMay 10, 2013Black Pudding is like any other Lanegan record, just with better chops. [No. 98, p.56]
-
Under The RadarMay 10, 2013Aside from a few missteps, the most egregious being the Clavinova funk of "Cold Molly," this is well worthwhile for fans of either artist and those seeking some high-grade, low-key authenticity. [Mar-Apr 2013, p.93]
-
UncutMay 10, 2013It is the instrumentation that offers the complexity, bringing texture to this deceptively simple-sounding album. [Jun 2013, p.72]