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- Summary: The first solo release of new material from the Grateful Dead guitarist in 30 years was produced by Josh Kaufman with contributions from Aaron and Bryce Dessner, Josh Ritter, and Scott Devendorf.
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- Record Label: Columbia
- Genre(s): Pop/Rock
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Top Track
| Ki-Yi Bossie | |
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| in a cold church basement one november friday night come along, come along in a twelve step meeting under harsh flourescent light and that's... | See the rest of the song lyrics |
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Score distribution:
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Positive: 6 out of 8
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Mixed: 2 out of 8
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Negative: 0 out of 8
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Oct 4, 2016A moving group of tunes worthy of any campfire.
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Oct 7, 2016Blue Mountain is very much an extension of his work with the Grateful Dead, particularly Workingman's Dead and American Beauty: he's tapping into legends, then spinning them for the present day.
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UncutSep 30, 2016This first solo release in 10 years finds him in majestic form. [Nov 2016, p.40]
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Sep 30, 2016The highlight is his self-penned and unaccompanied "Ki-Yi Bossie," in which "a 12-step meeting under harsh fluorescent light" occasions a wry round of soul-searching, no wide-open spaces required.
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Sep 30, 2016Weir’s voice is still a rough-hewn instrument, and he’s never sounded better than when singing top-shelf material like “Whatever Happened to Rose”, a lovely waltz-tempo ballad of bottomless sadness.
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Sep 30, 2016The manufactured atmosphere ultimately distances the listener. With a few exceptions, including the song “Blue Mountain,” the production also fails to find the best way to deploy Weir’s voice, holding it too far back in the mix.
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Oct 5, 2016The widescreen south-western ambience is stippled with intriguing touches, like the shruti box and bowed guitar droning through “Gallop On The Run”, and the rhythmic rattling chains of the death ballad “Lay My Lily Down”; though the most moving performance is Weir’s plaintive solo piece “Ki-Yi Bossie”, oozing empathy for a reluctant penitent alcoholic.
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