- Critic score
- Publication
- By date
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MojoAs a record of one man's love affair with his guitar, it's a solid testament. As the work of one of British music's unshakeable geniuses, however, it's not really worth the name. [Mar 2003, p.98]
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A pleasant, if not always engaging, slice of post-grunge, post-Britpop guitar rock.
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However nice the guitar sounds, though, it's hard to ignore the fact that it's dressing up songs that would be a bit dull without it.
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Boomslang's heavily treated vocals, nondescript songwriting, and swirling, noisy production doesn't leave much room for personality to pop through.
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Entertainment WeeklyThe album's arrangements are limp and unimaginative. [28 Feb 2003, p.80]
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Q MagazineBoomslang labours under the delusion that The Stone Roses' Second Coming was a good idea worth pursuing in greater detail. [Feb 2003, p.100]
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It's got all the atmosphere of a great rock record, but not the guts of one.
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Alternative PressThe problem: Semi-masked in the Healers, he's short an originality chromosone. [Feb 2003, p.70]
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BlenderThe only standout is "Down On The Corner," built around the ear-pricking chords and lithe grace that stamp Marr's best work. [#14, p.139]
User score distribution:
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Positive: 7 out of 8
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Mixed: 0 out of 8
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Negative: 1 out of 8
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Jan 21, 2012
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AndyApr 19, 2006
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JohnTJul 12, 2005Very surprised at the mediocre reviews. This is a fantastic record.