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Here we see the often-resourceful Deacon approaching a big canvas with too little paint, and the result is a record which feels bloated, overlong, and ultimately empty.
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Deacon is a gifted musician capable of so much more, and that makes Bromst feel like a waste.
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MojoCheeky, but delightful. [Apr 2009, p.106]
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UncutHis 2007's "Spiderman Of The Rings" was filled with good ideas but prone to novelty. Bromst goes a long way to reversing this trend. [Apr 2009, p.84]
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Q MagazineHis sequel to the quirky, lo-fi assault of 2007's "Spiderman Of The Rings" has a similarly maniac edge, at once mesmerising and unnerving. [Apr 2009, p.102]
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Lo-fi freakster doffs cap to minimalism & screaming chipmunks.
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Deacon is hampered by his boundless creativity. In his mad dash to leave no pathway unexplored, he neglects to chart a course toward anyplace in particular.
User score distribution:
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Positive: 19 out of 21
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Mixed: 0 out of 21
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Negative: 2 out of 21
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JaumeRMar 26, 2009A f*cking ten. One of the albums of the year. Cosmic.
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May 15, 2011This review contains spoilers, click full review link to view.
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RileyT.Oct 5, 2009