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- Summary: The debut full-length solo release for the B-52's singer features contributions from Marie Davon, Lemuel Hayes, Suny Lyons, and Ryan Monahan.
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- Record Label: Kill Rock Stars
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Jan 23, 2018On Change, Cindy Wilson finally shares her formidable pop intelligence, unmediated.
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Nov 28, 2017Fusing those 60s influences with rich electronica creates a tableau that’s familiar in parts, but offers a distinctive twist to the predictable.
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MojoNov 28, 2017A debut solo album of such synth-streaked electronic sleaze and shimmer that it kicks Goldfrapp and Gary Numan into the bleachers. [Jan 2018, p.90]
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Nov 28, 2017Wilson set out on a mission with this album – reinvent herself for the modern world, without her B-52s pedigree, by creating a totally new style for herself. And, by that standard, she’s largely succeeded.
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Nov 30, 2017While the B-52's belatedly embraced electronics on 2008's Funplex, Change finds Wilson doing the same, but from a decidedly different vantage point, and it fits her beautifully; it's a successful musical reinvention that presents her talent in a whole new light.
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UncutNov 28, 2017Wilson, now 60, reveals a flair for conjuring up moods on songs that suggest the languorous drift from winding down to sleeping in. [Jan 2018, p.29]
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Q MagazineDec 20, 2017Surprisingly muted, sophisticated synth-pop that lowers its eyes and keeps to the shadows, a glint of hi-tech disco chrome occasionally catching the light. [Feb 2018, p.116]
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