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There's almost a subversive aspect to how City Center doesn't play to Thomas' known strengths, but the risk pays off: City Center adds another fascinating dimension to his music.
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For an established pop writer like Thomas this sort of effort is long overdue, a necessary rung on the twisted, misdirecting ladder towards writing one of those singular, inexplicable albums.
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Every song in the first half of the album tries so hard to get somewhere, but just ends up breaking down when it becomes obvious there’s no end in sight.