User ratings in Music are temporarily disabled. More info
  • Record Label:
  • Release Date:
Commonwealth Image
Metascore
74

Generally favorable reviews - based on 9 Critic Reviews What's this?

User Score
tbd

No user score yet- Awaiting 2 more ratings

Buy Now
Buy on

Top Track

So Far So Good
I speak to those who have accepted their fate Their spirits high, though no chariot awaits People are down on this world but we only have one Isn't... See the rest of the song lyrics
Score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
  1. Sep 11, 2014
    80
    By adhering to the fidelity of a side, there's a dramatic arc within every four songs and, combined, the sum is greater than the individual parts--which is how it should be with a band.
  2. Sep 10, 2014
    80
    Canada’s answer to the Fab Four, Sloan, are still charming after 23 years together.
  3. Magnet
    Sep 18, 2014
    75
    High concepts don't always result in high art, but Commonwealth comes close enough. [No. 113, p.61]
  4. Sep 10, 2014
    70
    Commonwealth offers a little something for everyone, no matter what you're looking for.
  5. Classic Rock Magazine
    Dec 17, 2014
    70
    This baffling mixture of the anarchy and the ecstasy takes some pulling off but the quartet has perfected the alchemical reaction. [Nov 2014, p.96]
  6. Sep 10, 2014
    70
    While this isn’t a huge step away from what the band has always done, it’s enough of one to keep it interesting for the band members and their listeners.
  7. Alternative Press
    Sep 10, 2014
    60
    The results of this experiment is decidedly mixed. [Oct 2014, p.101]

See all 9 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Dec 23, 2014
    10
    This is a superlative power-pop record. The wit and craft of Sloan's songwriting have doomed them to forever be cult heroes outside theirThis is a superlative power-pop record. The wit and craft of Sloan's songwriting have doomed them to forever be cult heroes outside their native Canada, where the art of fine songwriting is very much alive and kicking. But as Patrick Pentland has said in interviews, the band's lack of commercial success in the twenty-four years (and counting) of their existence has liberated them musically and lyrically, and fans are grateful that they continue doing their own thing -- beautifully -- in the face of musical fashion. Commonwealth contains all the pleasures to be found on the band's previous records. Here the distinct songwriting skills of each of the four members are showcased separately and in sequence, rather than in the usual blended way. But it is still very much a band record, as anybody who saw Sloan performing it live in 2014 can tell you. To my mind the high-point is Andrew Scott's eighteen-minute "Forty-Eight Portraits," a majestic and surprisingly-continuous suite of song-fragments, of which McCartney or Brian Wilson would be proud (like some of their work, it has been accused of self-indulgence by one or two critics who like their music instantly digestible,). It is a great way to close out a fine double-album, though in defiance of the usual logic, Sloan BEGAN their 2014 live shows by reconstructing this masterpiece of modular songwriting. Popmatters says that Sloan are The Beatles reincarnated in a different era, and the more generous reviewers have even likened the album's closing suite to the second side of Abbey Road. To my mind the real parallels are with Revolver and Pet Sounds. Expand