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On Compass, Redman has finally learned the greatest trick from his mentor--to walk out on the wire with his horn more, trust the fluid abilities of his incredible rhythm section(s), and let his inner sense of song and freedom take precedence over his already well-established sense of discipline.
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His tone carries the weight and grandeur of fine marble, but sometimes the disc's lengthy array of tunescapes is a reminder that less is more.
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Fortunately, while the result of Redman’s “double-trio” experiment lands well short of revolutionary, the idea and intention go a long way to making the listener hear the rest of Compass more acutely, searching for any other creative tidbits of which we now know Redman is surely capable.