User Score
8.4

Universal acclaim- based on 31 Ratings

User score distribution:
  1. Positive: 28 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 3 out of 31
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  1. Jun 3, 2023
    10
    Great Album, Great Tunes , Every each Songs Try Pushed Me Into it. Really Amazing Album
  2. Jun 2, 2023
    10
    Great album. Noel did again. Easy Now and Dead To The World are really amazing songs.
  3. Jun 2, 2023
    9
    This is a fine record, full of superb production and lush instrumentation. Melodic, uplifting and yet melancholy this is a mature, reflective Noel Gallagher, featuring his most consistent collection of songs. There is very little on here that falls flat and the utilisation of strings to add layers in the right places versus just for show is a wise choice. The strings add much to theThis is a fine record, full of superb production and lush instrumentation. Melodic, uplifting and yet melancholy this is a mature, reflective Noel Gallagher, featuring his most consistent collection of songs. There is very little on here that falls flat and the utilisation of strings to add layers in the right places versus just for show is a wise choice. The strings add much to the atmosphere but the real plus here is Gallaghers vocals, as he gets older, he becomes a stronger vocalist in terms of range and emotion, The extended version features an excellent new version of Dont Stop and his lock down single 'We're Gonna Get There in The End' that should really have featured on the album proper. Expand
  4. Jun 2, 2023
    10
    If you are a Noel Gallagher fan there is nothing to not like about this album. Every song is great.
  5. Jun 2, 2023
    0
    pretty boring album with 2 mediocre songs and the rest isn't good. big let down
  6. Jun 2, 2023
    1
    Maybe it's unfair from me to keep expecting Noel to drop gems like his first 2 albums were. However this is truly the most boring, dull and bland music I've ever heard from Noel. At least he was experimenting with Who Built the Moon so you could live under the illusion that once he returns to his genre he will flourish, however it sounds like someone who has made some average covers or ripMaybe it's unfair from me to keep expecting Noel to drop gems like his first 2 albums were. However this is truly the most boring, dull and bland music I've ever heard from Noel. At least he was experimenting with Who Built the Moon so you could live under the illusion that once he returns to his genre he will flourish, however it sounds like someone who has made some average covers or rip off songs (but performed even worse by Noel) from british bands he used to love in the 70s & 80s. He will always be an idol of mine but if this is what Noel's solo career has become he's better off getting Oasis back together for 1 last tour to rake in the cash and drive off into the sunset and retire from music. I'd say Council Skies and Dead to the World are definitely bareable to listen to, the rest of the album is extremely mediocre to straight up terrible
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  7. Jun 4, 2023
    7
    6.5 really - I rounded up to 7 out of loyalty to the man whose music formed me, for better or worse, as a teenager. Noel continues to have one of the finest ears for melody in contemporary music, but the songwriting remains... passable, and little else. Too much of Council Skies is just nice, and it gets boring at times. Who Built The Moon? - Noel's previous effort - was never boring, and6.5 really - I rounded up to 7 out of loyalty to the man whose music formed me, for better or worse, as a teenager. Noel continues to have one of the finest ears for melody in contemporary music, but the songwriting remains... passable, and little else. Too much of Council Skies is just nice, and it gets boring at times. Who Built The Moon? - Noel's previous effort - was never boring, and anyone hoping he might become a late career mad professor of UK indie after the previous album will be disappointed at the apparent step back. Expand
  8. Jun 14, 2023
    9
    This could have been one of Noel’s best albums, if not the best, if the damn songs were presented in a more appropriate sequence. I know most of Noel’s fans consider him a God and me arrogant to even think he’d make a song sequence mistake (or any mistake), but Noel HIMSELF admitted in an interview that he should have swapped the opening and closing songs. And even that is wrong.

    So
    This could have been one of Noel’s best albums, if not the best, if the damn songs were presented in a more appropriate sequence. I know most of Noel’s fans consider him a God and me arrogant to even think he’d make a song sequence mistake (or any mistake), but Noel HIMSELF admitted in an interview that he should have swapped the opening and closing songs. And even that is wrong.

    So this album as presented is a 6. What I did was create a playlist and moved songs around. I also pulled from the deluxe version of this release which has songs which never should have been shelved. There’s no perfect way to set all this up but I promise you my sequence is much better and worthy of my 9 rating.

    1. OPEN THE DOOR, SEE WHAT YOU FIND is a born opening song for a rocker like Noel. This is the type of song you open with in a concert. It’s not your best but it gets people out of their seats. And, lyrically, opening something is like starting a journey of sorts.

    2. LOVE IS A RICH MAN is cut from the same cloth and, in a live show, keeps people standing and dancing. The song itself is just okay which is why it’s good to be ‘rid of it’ early like this.

    3. THERE SHE BLOWS hints at a possible ballad but eventually evolves into a nice grinder. This is when in a live show you’ve been standing for three songs and might want to sit down.

    4. I’M NOT GIVING UP TONIGHT is that song where you sit. It’s not only a soothing ballad after all this noise but is the best song of the four so far. (Never open with your best stuff.)

    5. In my opinion my only debatable entry is this John Lennon cover MIND GAMES. I’d have only included a minute sample of this instead of the entire song. It would act like a transition point in the album to mellower dreamy stuff. Like --

    6. TRYING TO FIND A WORLD THAT’S BEEN AND GONE PT. 1 is such a piece, despite it’s amazingly pretentious title. Ouch! And of course the album fails to deliver a PT. 2, making the PT. 1 thing even more painful. Still it’s an excellent dreamy Pink Floydy lead into one of the album’s best tracks --

    7. -- EASY NOW. These two tracks are presented together on the original album with a cool sound effect linking them and I wouldn’t dream of changing their sequence.

    In the old days of albums I’d call this end of Side One. In these digital days there are no sides and so what would be perfect is some sort of instrumental interlude. Love Noel’s voice but how about no voice for a few minutes? That happens perfectly via the Deluxe album’s instrumental version of --

    8. COUNCIL SKIES. Yes, I’ve shelved the album’s title track for an instrumental, but I have a compelling reason for this: the song steals a Noel vocal riff from BALLAD OF THE MIGHTY I, a previous Noel song that is superior to this. I absolutely cringed when I first heard that song and I’m like, wait, Noel has already run out of ideas? He hasn’t, but it’s best to hide the song version of this tune altogether if you ask me.

    9. So now that we’re on ‘Side Two’, we need a nice opener. WE’RE GONNA GET THERE IN THE END delivers some big horns and stuff to wake us back up after so much dreamy mellow. But the mention of ‘end’ in the title indicates we’re running out of tracks.

    10. Here I insert the Pet Shop Boys remix of THINK OF A NUMBER. You might ask why, since it’s a dance club song where the rest of the album isn’t. QUEEN made a career out of offering different flavors one after another and I think it’s nice to hear something ‘new’ after nine more predictable tracks. And once you’ve heard this version you won’t listen to the original again.

    11. Call this a Pride Month thing, but the (apparently) gay themed PRETTY BOY follows nicely in the wake of a Pet Shop Boy’s remix, don’t you think? It’s sort of the gay side corridor of the disc. I wanted to include the remix of this song here but it drones on too long.

    12. DON’T STOP is a rejected track included in the deluxe version. It’s actually pretty good and is offered here as the penultimate song. The opening lyric perfectly warns that things are wrapping up: "Bye bye my friend, I'm leaving'. I'd offer this as a closing track except I’ve saved the BEST track as the finale --

    13. DEAD TO THE WORLD is a slow amazing masterpiece. But don’t take my word. Liam said it himself, and you know what a wanker he is. This song is impossibly offered as track 3 in the actual release, which means almost every song after it will lack.
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  9. Jul 8, 2023
    10
    Beautiful record and his best work since Whats the Story in 1995. Oasis isnt quite gone.
  10. Jun 4, 2023
    10
    Noel's gifts remain unchanged, only time and tastes have. The melodic beauty of songs like "Easy Now" and "Dead to the World" is undeniable and if "We're Gonna Get There in The End" came out thirty years ago, it would be a stone cold classic loved by millions. A vast improvement over the ambitious but cold atmospherics of his last album.
  11. Jun 20, 2023
    8
    He is playing a pop that should not exist anymore, and he does a good job bringing back this country and chamber pop with high acoustics, and some nice arrangements on the composition, but it does feel exhausting because the main ideas are "over explored" on this project. In most of the songs, Noel takes its time to really stick his concept on the track, then by the time he adds the climaxHe is playing a pop that should not exist anymore, and he does a good job bringing back this country and chamber pop with high acoustics, and some nice arrangements on the composition, but it does feel exhausting because the main ideas are "over explored" on this project. In most of the songs, Noel takes its time to really stick his concept on the track, then by the time he adds the climax of the song, it has been too long, maybe. In some songs, it doesn't even happen.
    This is not a good project gone wrong, it's just a nice embracing project with its highs and lows. Friendly but kind of very persistent, which can be both good and bad.
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  12. Jun 6, 2023
    10
    Great sounding album from a true great of British music. His best work yet in my opinion.
  13. Jun 4, 2023
    8
    Surprising, best he has done since his early solo album, no clunkers on the album.
  14. Jun 7, 2023
    10
    For him to be in top form at his age is really impressive. Great collection of songs and sonically his best as a solo artist.
  15. Jun 4, 2023
    8
    Classic Noel Gallagher Album it's amazing with the Orchestra and stuff, Easy now and Council skies is a must hear from this album for sure
Metascore
81

Universal acclaim - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
  1. Jun 2, 2023
    40
    Despite a handful of the elder Gallagher’s irresistible everyman anthems, much of Council Skies is unambitious and generic to the point of tedium.
  2. 80
    Its 10 tracks offer a timely reminder of just why Oasis resonated so widely, empowered by a melodious and snappy songwriter with plenty of heart and soul.
  3. Jun 2, 2023
    90
    The way these splashes of color and invention intertwine with the carefully sculpted ballads result in a testament to Gallagher's enduring craft that's unusually satisfying.