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Q MagazineMar 29, 2011Mostly, he has little to say. [Mar 2011, p.109]
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Jan 25, 2011Aside from the odd pervy foray however, Doo-Wops & Hooligans is a fairly impressive pop record; packed full of guaranteed arena fillers, it's an album that's literally born to be big.
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Jan 20, 2011The slushy sentiments will click with a tweenager in the throes of a first crush--but anyone with life and love experience beyond passing notes around at the back of class is advised to pass on this collection of monochrome musings in favour of something with a heartbeat. Perhaps, even, something that rocks.
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Jan 20, 2011Frustratingly, Doo-Wops & Hooligans ends by suggesting it could have been far more interesting than it is.
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Jan 19, 2011Mars has quite remarkably extracted themes from every one of those shows [The X-Factor], incorporating each into his debut, from glossy, over-sentimental ballads (Talking To The Moon) to an all-out, shameless dispatching of joy (Marry Song).
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Dec 21, 2010Cutesy lyrics with insipid rhymes like "You can count on me like one, two, three" abound on songs that play out less like a cohesive album and more like no-brainer radio references to Coldplay, U2, Michael Jackson, Sade, Feist and so on.
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As it is, Doo-Wops & Hooligans is an uneven debut that shows why Mars is likeable and popular, but doesn't tap into his full potential as a writer or producer.
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Doo-Wops & Hooligans kicks up no fuss, and shortchanges on its promise of both doo-wop and hooliganism.
Awards & Rankings
User score distribution:
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Positive: 142 out of 215
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Mixed: 29 out of 215
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Negative: 44 out of 215
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Oct 14, 2010
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Apr 20, 2011
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May 31, 2012