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- Summary: Enlisted as composer for boyfriend Matthew Barney's latest experimental film (which loosely concerns whales and Japan), Bjork responded with a largely instrumental score. Will Oldham guests.
- Record Label: One Little Indian
- Genre(s): Alternative, Experimental, Soundtrack
- More Details and Credits »
Score distribution:
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Positive: 11 out of 16
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Mixed: 4 out of 16
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Negative: 1 out of 16
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It’s certainly another step forwards and upwards for one of our only real musically emotional geniuses.
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An album that's inspiring in its ambition.
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This isn't always an easy record - it demands stillness and patience from the listener, but it is never less than fascinating and frequently breathtakingly beautiful.
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A couple of really cool parts, and the rest I don't feel so bad for forgetting.
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Björk’s biggest drawback, then, is that while “Holographic Entrypoint” is an enlightening rarity, most of Björk’s fans will find it boring. Very, very boring.
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Rolling StoneHaunting as the results may be, they are distinctly lacking in Bjork's own musical personality and her greatest asset: her inimitable voice. [8 Sep 2005, p.112]
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Q MagazineChildren moan, accordions groan and Bjork's disembodied voice occasionally growls into earshot. [Sep 2005, p.114]
Score distribution:
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Positive: 15 out of 16
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Mixed: 0 out of 16
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Negative: 1 out of 16
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JacobDAug 28, 2005This album is beautiful, haunting, powerful, and most of all, essentially Bjork. The best song is Storm by far.
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Jul 24, 2017
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AntonRAug 26, 2005
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AlanSAug 30, 2005
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ClifCMar 16, 2009
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JuliaAFeb 1, 2007
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Sep 1, 2015
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