User Score
Universal acclaim- based on 55 Ratings
User score distribution:
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Positive: 46 out of 55
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Mixed: 7 out of 55
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Negative: 2 out of 55
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Dec 11, 2016A little dark for the sake of being dark at times, but the electro-haunt production is so rich, you can't help but admire it. Hurts have selected their style and stuck to it. A cracking and interesting follow up to the incredible 'Happiness'.
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Jul 22, 2013
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Mar 15, 2013
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Mar 16, 2013This is so much darker than Happiness; but, maybe a bit better. They've change their sound and they've created something a bit different. Songs like "The Road" or "Mercy" or "Cupid" are the ones that will make you to love Exile more than you did with Happiness.
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Mar 16, 2013
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Apr 14, 2013
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Mar 11, 2013
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Apr 22, 2014A very good second album from this band. What shines the most are the melodies and once again the voice of the singer, so haunting and beautiful. The worst part are probably the lyrics, they are weak when you look at the album as a whole. The best songs are Miracle, Help and Guilty.
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Mar 18, 2013this album is really good. all the songs are somehow magical. there are few of them like somebody to die for which are kinda pathetic but they go with the album. it is a lot more darker than happiness. my favorites are exile, sandman, the crow and the road.
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Feb 16, 2015They didn't know where they wanted to go with this album. Some songs are awesome, dark and magical, but some are just basic pop songs - bad basic pop songs. Exile is a mess. Rock, electronic, hiphop, terrible italo disco, pop, which reminds me of Eurovision and even DUBSTEP. This doesn't make any sense.
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Mar 27, 2013This is an album that maintains the joyless musical brand Hutchcraft and Anderson crystallised with their two million selling debut.
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Mar 19, 2013What's clear about Hurts on Exile is how skilled Hutchcraft and Anderson are at seamlessly incorporating their influences, so you can hear the bands' inspirations in every line even as you marvel that this album is like nothing you've heard before.
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Mar 19, 2013No matter how many dark subjects are nested throughout, too often the music on Exile falls back into the same old tricks of bells-and-whistles pop choruses and obvious hooks.