1. smccull

   10

   Excellent album. Thoroughly enjoy every song, although personally I prefer the extended edition....if only for the song 'Limbo No More' Certainly worth a listen.… Expand

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2. OsAzER.

   10

   I often wonder what these critics do. Do they sit there waiting on an artists new material with a long list of prefabricated "critiques" that, to me at least, just seems a little bit preposterous? At times I have to ask myself, do these people even listen to the music, or do they have the same damn songs in their heads playing over and over and over? This album is first of all intelligent, and most definitely a bold creative work that tops anything I have heard since "In Rainbows." Every song has lyrics that make you think, emotions that make you feel, music that makes your head bounce and your ears stand at attention. I just can't understand why people fear a little originality. Shut Up! Pop "Flavors of Entanglement" in your CD player, and fucking LISTEN!! Maybe you will learn something!… Expand

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3. aarondu

   2

   This album makes it quite clear: Alanis Morissette doesn't have a single good album left in her. Whatever happened to the down-to-earth, levelheaded woman who wrote so many earnest, tell-it-like-it-is pop songs in 1995? Maybe the pressure of fame whittled down her edge: as she graduated from young woman to full blown adult over the course of five or six albums, she has steadily inundated her music with an ever-increasing amount of self-conscious psychobabble. And each album has been worse than the one before. On Flavors of Entanglement, she's as confessional as she was fifteen years ago, but after two decades of reading self-help books, her confessions are somewhat embarrassing and unpleasant to hear. Morissette frequently uses jargon that's usually reserved for a psychologist's couch, heightening the sense that we are in the unpleasant head of a too-self-conscious neurotic. Witness the laundry list of therapy terms in Versions of Violence: "Diagnosing, analyzing, Unsolicited advice, Explaining and controlling, judging opining and meddling"; the awkward phrasing of Moratorium: "I declare a moratorium on things relationship, i declare a respite from the toils of liason." And don't get me started on the sophomoric rambling of "Giggling Again for No Reason", which has lyrics and a title that would be embarrassing for a 14 year old girl to write, let alone a full grown woman. So the final result is an awkward mess of unmelodic, unsurprising and somewhat affected lyrics from the mind of someone who has become less than interesting. Not a jagged little pill...a big, bland, dry one.… Expand

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