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SpinOne jaded plod after another. [June 2001, p.155]
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The problem with Flowers is that McCulloch's voice never soars. He still has the timbre, but he's lost his range and forcefulness, resulting in a lost sense of urgency.
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With Flowers, Ian McCulloch finally finds the proper musical vehicle for the older-but-wiser (but not that much wiser) persona he's been trying on for the last few years.