- Critic score
- Publication
- By date
-
Dangerfield’s solo foray is a (for the most part) sparse production (it was recorded in just five days), and that extra room is a little jarring at first, but fans of the band, as well as the elusive quarry that is love, will no doubt walk away from Fly Yellow Moon a step or two lighter.
-
So, Fly Yellow Moon flirts with, but ultimately averts, disaster by virtue of the strengths we already know Fyfe Dangerfield to possess as Guillemots' principle songwriter: a knack for making bright pop songs on a life-affirming scale, delivered with an infectious and indefatigable enthusiasm.
-
MojoA return to the Guillemots beckons, then, but Fly Yellow Moon is still an enthralling and at times euphoric affair. [Feb 2010, p. 97]
-
Fly Yellow Moon sounds like Guillemots with all the wonky bits weeded out.
-
Fly Yellow Moon just can't quite solve that old problem: how to be mushy but not mundane.
-
Q MagazineThere is, too, much, that is pretty and whimsical, but less substantial. Another accomplished set, but the real Fyfe Dangerfield should stand up. [Mar 2010, p.98]
-
UncutHis vechile of expression alternates between acoustic confessional and clapped-out pub rock, leaving Dangerfield pootling down the middle of a fairly nondescript road. [Feb 2010, p.81]
-
Under The RadarThough Guillemots have never shied from throwing in any musical ingrediatnt they can find, here that tendency makes for an album that, while strong, comes off a little too unfocused. [Winter 2010, p.62]