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Awards & Rankings
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Jan 6, 2011Mixing standards ("Laura," "Lush Life") with an occasional political rap ("Where Are They Now?") might fall flat in lesser hands, but Wyatt's voice is the linchpin, and Atzmon/Stephen work amicably with it.
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The WireDec 22, 2010[Wyatt's voice} is not the most technically 'correct' voice, but in the setting of Ros Stephen's arrangements for string quartet, with Gilad Atzmon adding alto saxophone, it is as though that uncertain crack, that flaw floating in the clear quaver of his voice is a precise match for the happysad ambiguities that haunt so many jazz standards. [Oct 2010, p.62]
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Dec 21, 2010On one hand, the enormity of said soundtrack can be appreciated by those with a palate for the peculiar, while others might yearn for a more streamlined recording.