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- Summary: The second full-length release for the Scottish electronic producer features guest appearances from Danny Brown, D Double E, and Gorgeous Children.
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- Record Label: Warp
- Genre(s): Electronic, Club/Dance, Left-Field Hip-Hop
- More Details and Credits »
Top Track
Attak | |
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We're laughing at you, talking 'bout you Though we askin' out when We know you be hustling backwards Electroslide and rewind My pockets looking like... | See the rest of the song lyrics |
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Score distribution:
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Positive: 14 out of 26
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Mixed: 11 out of 26
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Negative: 1 out of 26
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Aug 26, 2014On Green Language, we witness risks. We listen anxiously as Rustie bets a Brinks truck on his emotional wherewithal, and that bet pays out exponentially.
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Aug 22, 2014At a time when fellow Scots Hudson Mohawke, Calvin Harris and Jackmaster are making names for themselves across electronic music genres, Rustie's sitting in a space that's all his own.
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Aug 26, 2014Isolating his experimental tendencies to specific tracks leads to some uneven pacing on the album's second half. Otherwise, Green Language fully delivers, serving as a fascinating turn for an artist who earned his reputation by essentially bashing fans into submission with bass.
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Sep 9, 2014Unfortunately, Rustie’s seemingly inherent need to zig when expected to zag has resulted in an awkwardly stitched together ragdoll of otherwise intriguing and successful pieces.
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Aug 26, 2014Sometimes Rustie's at the rave ("Raptor"), other times he's chilling on the porch ("Green Language") and still others he's rocking out in the garage ("A Glimpse" ends with a 16-second dream-punk hit)--but he's never easy to pin down.
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Aug 22, 2014The inconsistencies within Green Language, unfortunately, undermine the potential beauty of the album’s closing few minutes.
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Sep 9, 201413 songs in 36 minutes is a constrictive ratio for a record with so many proposed ideas, and its brevity makes Rustie’s ideas sound especially half-hearted. It’s bad enough that he doesn’t give the more physical tracks enough time to flex their muscles, but the tracks which suffer most are the briefer, more innocuous pieces.
Score distribution:
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Positive: 1 out of 2
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Mixed: 1 out of 2
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Negative: 0 out of 2
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Nov 1, 2014
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Oct 24, 2014
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