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The delicateness of Half the Perfect World is certainly nice, but Peyroux seems to be using it as a device to hide behind instead of an actual expression of feeling.
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UncutPeyroux's enviable ability to sing just behind the beat conveys effortless sophistication. [Nov 2006, p.124]
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MojoAs intimate and unforced an album as I've ever heard. [Nov 2006, p.104]
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Q MagazinePerfect rainy day music. [Nov 2006, p.147]
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Peyroux is a wonderful singer and this collection of songs is her best yet.
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Entertainment WeeklyWorld is like stumbling into a jazz café at closing time. [22 Sep 2006, p.94]
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The template holds.
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Fans of Norah Jones should gobble up this album, but Peyroux is no mere imitator: She's her own, very real thing.
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