- Critic score
- Publication
- By date
-
With personnel changes and a series of guest artists the names of which ever-increasingly overshadow whatever actual sounds they're making, Massive Attack have fought a continual struggle to surpass 1994's 'Protection'.
-
Although much of Heligoland suggests that Massive Attack might finally have burned out, the glowing embers of what they once had can still be glimpsed providing a light in the dark.
-
Mojo[The album] sees the reunited Grand "Daddy G" Marshalll abnd Robert "3D" Del Naja proving they can still corner the market in atmospheric glooom, even if their era-defining days have passed. [Mar 2010, p.90]
-
Overall, though ‘Heligoland’ is a puzzling and frustrating listen. Some good tracks can’t hide the fact that this is the stuff of an identity crisis. It’s one thing to call on your famous friends to put flesh on your bones. It’s another if you leave the listener wondering if you’ve any spine at all.
-
When you listen to these gloomy trip-hop jams after their best work of the 90s, the results are underwhelming.
-
Then, six songs into a characterless album, one on which ambience takes precedence over tunes, 3D and Daddy G unveil three stunning numbers that compare with anything in their back catalogue.
-
The undercurrent of menace and sadness that defined Massive Attack's best music is largely absent, replaced with a drowsy, half-formed gloom that, if anything, suggests resignation instead of dread.
-
The music is strikingly less dense than before, though the production is as meticulous and measured as ever, but it’s also so deliberately bleak, so obvious in its intent to be capital-I Important, it all but dares you to turn your back and chuckle.
-
Q MagazineCompared to the radical thrill of Portishead's equally long-gestated "Third," there's a sense Del Naja and Marshall are still feeling their way back. [Mar 2010, p.99]
-
Fans who have spent the better part of a decade jonesing for exactly this kind of fix will surely appreciate the effort, but for the less dependent, the songs here offer little that the band hasn't already done better.
-
Sure, it's a logical progression from 100th Window, but because their progressions are neither commonsense nor predictable, it's difficult to predict how it will hold up in terms of posterity.
-
Under The Radar[These marquee name guests] might be the source to what is wrong with Heglioland. Usually, Massive mainstays, 3D and Daddy G, are able to bring somthing previously not experienced out of their collaborators. This time, nothing is connecting. [Winter 2010, p.69]
Awards & Rankings
User score distribution:
-
Positive: 85 out of 98
-
Mixed: 11 out of 98
-
Negative: 2 out of 98
-
Sep 9, 2010
-
Oct 29, 2013
-
May 21, 2012