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Higher Than the Eiffel is most reminiscent of the work that Freestylers and Lo-Fidelity Allstars were doing eight to ten years ago. Both of them aged into their classic full-length statement with surprising grace, and made intriguing music long after most punters had deserted them.
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There's little crowd-pleasing electro or fashionable dubstep on Higher Than the Eiffel, but Audio Bullys have made a welcome, well-produced and lively returning album that delivers the goods far more often than even fans could have expected.
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They're heading back to form in time to conquer a festival or two - but the nature of that song does leave you wondering if Franks will just be happy to be back at all.
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In general, though, when the Bullys have their sights set on the dancefloor, whether it be a drug fueled downer house anthem or a colossal electro groove, they seem most at home. Luckily, this is most of the time, and as a result Higher Than the Eiffel is thoroughly enjoyable as an alternative dance record.