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MikeBAug 11, 2007The best release from Trey since the end of Phish. This is quality stuff. Solid through-out.
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The disc proves Anastasio doesn't need his old bandmates to sizzle, but ought to get back to doing what he does best: kicking out the jams.
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The Horseshoe Curve offers few surprises.
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Most of the time, Anastasio chills in the background, letting the horn section log play time on tracks such as 'Burlap Sack and Pumps.' This makes for a record that's alternately brainy and backgroundy--the arrangements are sharp, but the flute solos (particularly on the title track, recorded at a 2002 Pittsburgh show) bring "Anchorman" to mind.