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Apr 11, 2011Whatever the reason, it's a great-sounding record.
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Apr 14, 2011If, like me, you're one of the admirers, then there's plenty to like here. If not, well, give it a shot anyway-- who knows, you might find something you like.
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UncutApr 12, 2011It lacks many truly original hooks, but this is a nice updating of Count Five-style psych menace to file with fellow lo-fi '60s revivalists like King Khan and Dum Dum Girls. [May 2011, p.82]
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Jun 16, 2011This may be one of the most depressing albums released all year, but it's also one of indie rock's most surprisingly melodic and historically aware.
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Q MagazineMay 18, 2011While they may have broken the slacker's code, the results are worth it. [May 2011, p.115]
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Apr 8, 2011Crystal Stilts, like The Cure or The Jesus And Mary Chain before them, understand that the beauty is in the balance.
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Under The RadarJun 8, 2011The album is a quantum leap for the band sonically, conjuring all the right ghosts of rock's past while infusing enough strut and swagger to compensate for their blatant cribbing. [May 2011, p.84]
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Apr 26, 2011For all its clever-clever effects and pose-throwing, In Love With Oblivion is a big fun record meant to be blasted through the loudest speakers possible.
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Apr 26, 2011In Love With Oblivion stands as a solid second attempt for a group with a promising future.
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Apr 14, 2011Crystal Stilts differentiate themselves from the herd with scuzzy, garage-rock charm and dissonant cool.
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Apr 13, 2011Maybe they've been listening to The Byrds and Love, but detecting those influences in a band that doesn't have any vocal melodies makes it hard to say for sure.
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Apr 15, 2011In Love With Oblivion is generic in the best sense of the term, a record that blasts a bright light through its otherwise dead sources.
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Apr 7, 2011Oblique by pop standards, the album's full of raw, tightly wound energy.
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Apr 19, 2011In Love With Oblivion may only display grey intonations on first impression, but multiple spins begin to unfurl its ghoulish sense of atmosphere.
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The WireMay 3, 2011In Love With Oblivion is best when it's tough, primitive and direct. [Apr 2011, p.67]
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May 23, 2011Little has changed for Crystal Stilts since 2008's Alight of Night, though maybe the guitars cheered up a bit. That's A-OK; they come through with such a sort of oblivious, Suicide-meets-Spiritualized feel, you'll be in love, too.
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Apr 18, 2011Crystal Stilts find a way to make you care, though, and that goes along way with music this raw and rapturous.
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Apr 7, 2011In Love with Oblivion finds the band more upbeat than ever, channeling Flying Nun–era sounds with melodic riffs, handclaps, and chugging bass.
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Apr 11, 2011Crystal Stilts hasn't broken from what made it good in the first place -- but In Love With Oblivion proves that the group is coming into its own.