Metascore
75

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
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  1. May 24, 2013
    80
    Clearly hyper-detailed and considered with the utmost patience, the album still feels spontaneous and more than anything captures a stark honesty that makes every song glow. It's a brilliant return.
  2. Aug 16, 2013
    80
    Fondness for Jackleg only grows the more time you spend with it.
  3. Jun 28, 2013
    50
    The album starts off strong but ends up overcomplicated.
  4. May 24, 2013
    70
    Notably looser is ‘Oblivion Overture’s classical, Fantasia-esque take on earlier track ‘Oblivion’, while ‘Morning Of My Life’ finds a softer side to Flemmons’s nasal vocals, accompanied by little more than soft plucks of guitar. When combined though, these opposing elements transform Jackal into a distinctly outright collection of songs.
  5. May 24, 2013
    60
    In a genre stacked with pathological mediocrity, Jackleg Devotional to the Heart is a relatively sure-footed success--at worst enjoyable fluff, at best a provocative, quietly electrifying treasure.
  6. Magnet
    Jun 18, 2013
    80
    It's the rather unhinged propositions that sends chills in the warmest way, much like Will Oldham's timelessly classic mid-'90s output. [No.99, p.52]
  7. Mojo
    Jun 18, 2013
    80
    Immensely satisfying. [Jul 2013, p.92]
  8. Jun 21, 2013
    63
    Lacking both the demonstrative lo-fi sprawl of its predecessor and the hermetic perfectionism that often marks long-gestating albums, Jackleg really does sound like the Baptist Generals made it first and foremost for themselves.
  9. Aug 16, 2013
    70
    There are moments when the experimentation falls flat, like the confusing round of noise at the start of the otherwise affecting track “Floating”. But this is a strong effort that displays almost none of the suffocating perfectionism that some feared.
  10. Uncut
    May 24, 2013
    80
    The results go beyond folk, with flurries of orchestration and discord adding rusty grandeur to Flemmons' pained vocals. [Jun 2013, p.69]

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