- Critic score
- Publication
- By date
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Jun 4, 2013Kouyate has recorded more consistent albums than this but, as a statement of defiance, Jama Ko could be his most important work.
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May 29, 2013Jama Ko is, for twelve of its thirteen songs, political in the best way, using a deeply focused aesthetic both to engage with and as a momentary escape from the social environment which produced it.
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Apr 29, 2013Ngoni Ba was already remarkable for its plucked, pointillist modal grooves, and on Jama Ko, its passionate defense of Malian culture makes the music even sharper.
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Apr 2, 2013Two melodies reach back centuries. Strong-voiced frontwoman Amy Sacko delivers the word. And although the ngoni is a mere lute, Kouyate gets more noises you want to hear out of his strings than any two jam-band hotshots you can name.
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Apr 2, 2013Although political in nature, the feel of the record is unabashedly joyful and if Jama ko doesn't form part of your summer listening, you are missing out on something very special.
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UncutMar 13, 2013A creative triumph out of Mali's darkest hour. [Mar 2013, p.73]
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Mar 13, 2013The n’gonis are always upfront, but this is also an album of stunning vocals.
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MojoMar 13, 2013An album for anybody who likes rock music to sound angry about something. [Mar 2013, p.89]
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Mar 13, 2013Kouyate's electrification of his ngoni lute is just as effective a sign of resistance: fed through a wah-wah pedal, his serpentine, fleet-fingered lead lines gain a fresh, assertive power on songs.
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Mar 13, 2013It's Bassekou who dominates, with a new, tougher, amplified ngoni style that shows the influence of co-producer Howard Bilerman.... Magnificent.
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Mar 13, 2013The end result is a tense, powerful and emotive piece of work.
Awards & Rankings
User score distribution:
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Positive: 15 out of 26
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Mixed: 3 out of 26
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Negative: 8 out of 26
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Mar 26, 2017
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Sep 7, 2013