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Feb 11, 2016While Kozelek remains an incredible storyteller, and the album is fascinating as ever to his faithful followers, it's likely to be exhausting, infuriating, or simply head-scratching to anyone who isn't already a fan of his. And as wonderful as Broadrick's musical contributions are, they recede into the background and aren't nearly as distinctive as his own work.
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Feb 11, 2016Kozelek sounds like a man making great strides in self-acceptance. This rosier outlook, coupled with Jesu’s fuzzy, grunge-era melodies, lightens (thankfully) the demands put on the listener. An annotated glossary outlining locations, people, and callbacks would still be helpful, though not necessarily essential.
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Feb 25, 2016This is a challenging listen, the rewards often buried, but they are there.
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Feb 19, 2016Kozelek's more recent output has obviously been vulnerable, but he feels especially open here--he’s not just making fun of himself, but also deeply dissecting why he makes fun of himself, and the sadness that’s hidden within a punchline.
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Feb 11, 2016The album's trying at times, a bit too long but trudge on and give it a chance. There's something very different here that's worth the time.
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Feb 11, 2016While taking Kozelek out of his musical comfort zone at times pays off with interesting results on Jesu/Sun Kil Moon, other parts of the album makes one wonder if Kozelek wasn't better off continuing to pick away at his nylon string guitar and ramble away like usual.
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Feb 11, 2016Jesu’s crunching, industrial guitar, subtle drum machines and harmonies compliment Kozelek’s meandering, caustic tales differently to past collaborators such as The Album Leaf and Desertshore, but it works just as well, helped by star turns from the likes of Low and Will Oldham.
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UncutFeb 29, 2016Not even this collaboration's most thunderous moments detract from the quieter power of the singer's frank, free-associative lyrics. [Apr 2016, p.74]
User score distribution:
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Positive: 8 out of 10
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Mixed: 1 out of 10
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Negative: 1 out of 10
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Feb 29, 2016