• Record Label: Anticon
  • Release Date: Mar 16, 2010

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 4 out of 11
  2. Negative: 1 out of 11
  1. The stylistic similarities are pretty undeniable, and not necessarily to Josiah's advantage--but the elder Wolf has enough of a distinct voice (and enough to say with it) that Why?'s fans will definitely want to give it a listen--and those who find Yoni a bit too dizzyingly cerebral might take more kindly to Josiah's sincerity and directness.
  2. Jet Lag is a confident, mature, fully-realized record, and much denser than it lets on.
  3. Whilst at times the melodies feel frail, and it seems to struggle with a slight lack of something musically, at others the album is triumphant, with complex, brilliant pop songs about that age old theme, heartbreak.
  4. Jet Lag is a modest slice of lonesome lo-fi indie folk as they used to make it back when the para-Pavement galaxy was still busy splintering into its constituent planets, the ruminative Bermans and the verbose Pollards and the melodically off-kilter Barlows.
  5. Skull In The Ice is an exception; perhaps the most tender of all the songs, it begins with a stripped-down strum and evolves in the chorus with luscious, rich surroundings. It's the sort of crescendo all these tales deserve, but the hungover state of affairs that rings supreme in this record seldom allows for this to happen.
  6. Lyrically, Wolf is convincing when sticking to the grief-stricken script. It's when he goes off-book that things start to get awkward.
  7. For all of Wolf’s bravery in putting his broken heart on public display, on Jet Lag it is, sadly, only the banality that winds up being contagious for the listener.
  8. Wolf gets lost in tepid mumbling, the musical equivalent of the guy at the end of the bar staring forlornly into his whiskey.
  9. Under The Radar
    These surreal, often diaristic tracks miserably ruminate on the end of Wolf's 11-year relationship with his wife, but are somewhat bolstered by his percussion-centric use of marimbas, vibes, and bells. [Winter 2010, p.72]
  10. 90
    Wolf’s elastic compositions straddle the line between a multitude of genres without making it sound forced. Widely respected as one of the best drummers on the indie scene for years, Josiah Wolf has deftly proven he has the chops to stand on his own.
  11. 60
    Now and then, Wolf will offer thoughtful contemplations surrounded by muted chimes and generous xylophone twinkles, but if it's a matter of Wolf's work being particularly groundbreaking, then we'd urge him to think before taking the red-eye.

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