Let's Get Ready

Let's Get Ready', Mystikal's fourth LP and his first Billboard chart-topper, is one wholesale fighting muthaf**ker, a full theatre of opportunities to offer the world outside. Women? Mystikal will take you down for one. Or, preferably, two. Reputation? Come see about him. Neighbourhood? You don't wanna go there... Mystikal is the fightingest bastard and his grin's never wider than when he's putting the hurt on.

With such a steady-rocking formula, the record loses from repetition (and occasional knuckleheadedness) but gains mightily from shaking the groove with rhythm switches and guest voices. [Nov. 2000, p.203]

Although Mystikal's last two albums earned him platinum plaques, Let's Get Ready is poised to be the album that will put him over the top.... However, Let's Get Ready does have a few slip-ups. The Neptunes-produced "Jump" - previously available on the Any Given Sunday soundtrack - displays the production team's sloppy tendency to recycle their beats.

The only flaw is the former soldier's gravelly drill-sergeant bark. It packs a visceral punch in small doses, but an unadulterated hour of it is like being violently bullied by Busta Rhymes.

Perhaps hip-hop's hottest production duo, The Neptunes can claim credit for many of the best moments on Let's Get Ready, from the Spaghetti Western guitar of "Danger" to the nervous sonic aggression of "Jump." Mystikal's whirling-dervish flow has seldom sounded better, but like Snoop Dogg's otherwise-excellent No Limit Top Dogg, Let's Get Ready is undermined by monotonous production from the producers formerly known as Beats By The Pound. Though off No Limit, Mystikal has brought his old team (now renamed Medicine Men) with him, and their six tracks pale in comparison to those from the album's other producers (OutKast, PA, Bink, The Neptunes).