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She’s found the perfect collaborator to match her voracious appetite for all things pop.
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Loose is slick, smart and surprising - the first great pop album of the year.
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Aside from a few duff tracks 'Loose' is an absolute beauty that couldn't have arrived at a better moment.
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This is glorious, 21st-century Technicolor po.
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SpinIn the way the tunes crash and throb, much of the album could be the "Milkshake" follow-up Kelis never got around to recording. [Jun 2006, p.84]
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"Loose" is an addictive, deceptively lightweight album of electronic pop; at different points it evokes Janet Jackson, M.I.A., Gwen Stefani and Gnarls Barkley. [19 Jun 2006]
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The most relevant reference points for "Loose" are Gwen Stefani's "Love Angel Music Baby" and Justin Timberlake's "Justified" - producer-defined albums that reinvented their performers as stand-alone solo artists with a wide, hip remit.
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BlenderIt has at least seven killer tracks. [Jul 2006, p.101]
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Timbaland has revitalized Nelly Furtado both creatively and commercially.
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New Musical Express (NME)As thrilling as Gwen, as badass as MIA. [17 Jun 2006, p.37]
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Los Angeles TimesFurtado is game for anything Timbaland tosses out, and his production on most tracks unifies the disparate styles and moods. [18 Jun 2006]
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A notably tight album of summer bangers marked by more melody than either Furtado or Timbaland has played with before.
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It probably won't appeal to all, and some of Furtado's fans may be hugely turned off by the more danceable tracks. Yet Timbaland has revitalized Furtado - this is the sound of an artist having the time of her life.
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Furtado's style-hopping nature makes her a never less-than-interesting artist, but it doesn't work to her advantage when it occurs within the same record, and that's what ultimately keeps Loose from cohering as a singularly great pop album the way her prior efforts did.
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UncutIt's her most enjoyable record yet. [Jul 2006, p.92]
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A welcome exercise in versatility.
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Unfortunately, the result is like a blind date where the chemistry doesn't quite click.
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She mysteriously trims away her individuality and morphs into a J.Lo imitator.
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Although a respectable, yet fickle bid at club fodder, schmaltzy ballads, and trend riding one offs, something about it just doesn’t fit.
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The strangest thing about Loose isn't its irregularity, but the simple fact that this doesn't sound like Nelly Furtado at all.
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Rolling Stone[Furtado] scat[s] her quirky high-school-musical vocals over [Timbaland's] mostly Eighties beats. [15 Jun 2006, p.94]
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VibeWhile she loses herself in Gwen Stefani-like posturing... Furtado masterfully combines Spanish and pop influences in her own unique way. [Jun 2006, p.164]
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MojoLoose feels less like an album than a clutch of singles plus accompanying extras. [Jul 2006, p.100]
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There is nothing awful here, but Loose never meets the dizzyingly high expectations it was saddled with.
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Q MagazineMuch of it is an inventive, hio-hop-inflected delight. [Jul 2006, p.112]
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Furtado is game... but Timbo brings beats, not chemistry. Loose isn't a love child, but a bump-and-grind that never finds a groove.
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Unfortunately, Furtado doesn't have the rhyming skills, vocal chops or attitude to pull off any one of her new personae.
Awards & Rankings
User score distribution:
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Positive: 210 out of 231
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Mixed: 8 out of 231
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Negative: 13 out of 231
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Aug 8, 2017
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Jan 26, 2023Nice album from the 2000 with banger singles. All of her classics are on this album
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Oct 12, 2022this album really deserves a 10! The production by timbaland is on a whole other level