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So, in a strange way, Loud is an extremely successful album for Maas: it rids him of the trance tag, has enough vocal dance-pop to win over even more admirers, and is so diverse that everyone will find at least one enjoyable track.
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Maas' forays into more conventional song structure tend to falter, thanks mainly to weak vocals and corny lyrics that overshadow some interesting instrumental arrangements.... Fortunately, half of Loud is vocal-free, and it's here that Maas' music really shines.
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Q MagazineAdmittedly Maas is hardly reinventing the wheel here, but there's a freshness and pace that's been missing too long. [Mar 2002, p.126]
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Maas' huge production style begs for a big-room sound system, but Loud is loaded with artful nuances that elude most producers with even tenuous ties to trance.
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BlenderMaas translates this superclub-oriented sound -- all tectonic bass and whooshing stero-panned effects -- into home-friendly music. [Apr/May 2002, p.115]
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Maas has done what not many others in his class have managed to successfully pull off: making a truly decent, engaging record that is more than just 72 minutes of electronica generica trading on name recognition.
User score distribution:
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Positive: 6 out of 7
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Mixed: 0 out of 7
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Negative: 1 out of 7
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Nov 15, 2010
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NikolasAug 3, 2005very sexy, eerie electro-funk record
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MacMSep 28, 2003Two strong singles and a tonne of lacklustre filler. Stick to DJ-ing you ugly Euro!