Machine Dreams

Metascore
74

Generally favorable reviews - based on 10 Critics

Critic score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
  1. There's no way around the fact that most of Machine Dreams is icy electro-pop, but it is not as if the truly singular Yukimi Nagano, an enamoring vocalist, has switched to drone mode, forsaking her grounding in R&B.
  2. Overall, Machine Dreams is bristling with invention and teeming with variety, a fantasy world you won't wish to quickly wake from.
  3. Tracks like ‘My Step’, ‘Feather’ and ‘Blinking Pigs’ have that unique ability to transcend seasonal musical folly, there's nothing 'now' or 'then' about them - you can listen to them any time, anywhere, any weather and still be pretty pleased.
  4. Mojo
    80
    Her jazzy instincts and surreal lyrics perfectly offset the music's mosaic minimalism. [Sep 2009, p.92]
  5. The album falters slightly when the music becomes more abstract and inscrutable, but on the whole it is not difficult to relate to Nagano or slip into the mood created by her bandmates.
  6. This is electronic pop music done right, free from hipster trimmings or overly vulnerable declarations of self-discovery, and a sure sign that Little Dragon have all the strength and memorability of a lucid dream.
  7. Machine Dreams is an exercise in scoping out the frontiers of avant-garde electronic pop not seen since the early ‘80s.
  8. 70
    With nods to synth pop, electro, and funk, Sweden's Little Dragon fill their second album with bleeping keyboards and jazzy arpeggios, recalling both Howard Jones and Saint Etienne. But what sets Machine Dreams apart is frontwoman Yukimi Nagano's alternately yelping and cooing voice.
  9. Of course, there are neat textures and chilled-out sounds. But by the end of the record, you have only a few tunes or hooks to serve as a souvenir of the 44-minute journey you've just taken.
  10. Uncut
    60
    Although nothing matches the sexy Prince-funk pastiche 'Test' that Yukimi Nagano and co delivered on their self-titled 2007 debut, there is more depth and variety on their secpnd album. [Oct 2009, p.101]

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