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What impresses the most about Made of Bricks are her deft sketches of deteriorating relationships.
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Using her piano, guitar, and rhythm tracks as both weapon and comforter, Nash skips lightly from ultra-contemporary hip-hop grooves to jaunty pop melodies that harken back to Motown and the Fab Four, all while retaining a keen lyrical eye for her own sense of joy, doubt, and power.
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It's one of the most exciting debuts by a young female pop artist in ages. If occasionally it veers a wee bit too much towards the cutesy-kooky.
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Though Nash's debut Made of Bricks can be weighed down by forced sassiness and whiz-bang effects (applied like lacquer by Bloc Party producer Paul Epworth), her lilting alto and quirky sensibility are ultimately winning.
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She remains a nice kid whose knowledge of her own limitations doesn't interfere with her self-respect. That's not just because the knowledge helps her make catchy music out of it, either. But the music helps.
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So, from bed-bound broken foot casualty to creator of the finest debut album of the year in just over a year.
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Consistently framed around a beat, a piano and her voice, her plucky and at times eccentric songs generally stick to themes of female neurosis, emotional fragility and, occasionally, what she likes to eat on her toast.
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Though its doubtful that Made of Bricks will go down as one of the greatest debuts in UK history, it’s still a remarkably entertaining and witty disc, doubling over as the album equivalent of a fun, summer popcorn movie.
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Nash's lyrics are charming and skillful, with huge mouthfuls of narrative information crammed into unbelievably small spaces.
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Nash's bluntness and detail make for a good spectacle. [Feb 2008, p.96]
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Nash isn't quite the pottymouth that some of those titles might suggest, and she does a good job of keeping her tales about going for the wrong guy (among other problems faced by a 20-year-old woman) relatively universal, even as she's singing about trainers, tarts, and discos.
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The results are sometimes infuriating but more often lovable. There’s something shrewd about the way she refuses to refuse to state the obvious.
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Under The RadarIt is not a revolutionary concept, but where Nash shows her mettle is in her storytelling. [Winter 2008]
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Bricks is consequently more bracing and rewarding than most young-love-lost albums.
Awards & Rankings
User score distribution:
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Positive: 42 out of 61
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Mixed: 10 out of 61
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Negative: 9 out of 61
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May 27, 2011With the magnificent debut of Foundations and the follow up singles I had high hopes for this album but it didn't quite live up to the expectation.
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Nov 25, 2021I love Kate Nash's debut album, her voice is so warm and great and her lyrics are amazing
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Nov 25, 2021I love Kate Nash's debut, so many amazing songs! She's such a talented girl, love her