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Maestro never sounds the least bit unfocused. Being eclectic comes naturally to Mahal, who sees to it that Maestro is a consistently engaging celebration of his 40th year as a recording artist.
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The album is a refreshing reminder that, in the right hands, the blues is very much a living genre that need not be stuck in a formulaic 12-bar past.
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MojoHearing Mahal mimic African Blues players is usually fun, but 'Zanzibar' is underwhelming. But when Ben Harper turns his guitar up, things get interesting. [Nov 2008, p.116]