User Score
Generally unfavorable reviews- based on 38 Ratings
User score distribution:
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Positive: 12 out of 38
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Mixed: 4 out of 38
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Negative: 22 out of 38
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ADRockMar 22, 2008It's obvious that a lot of the reviewers are not from Florida, and do not understand our music. This CD has that old school feel with new age Dade County sound. By looking in the records, either they underestimate his popularity, or no one is listening to critics in Omaha and New York. Trey O Five is back. Flo Rida, Rick Ross, Trina, DJ Khaled!!!!
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Feb 13, 2012
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SteveS.Mar 25, 2008Hip-hop generally sucks, and here's proof positive.
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DanF.Apr 5, 2008This album is embarassing for real rap artists.
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NickT.Apr 7, 2008Great songs. Theres no songs that are "in between" ratings, if a song is good on the album, its simply good. If its horrible, its horrible. Mixture of sounds. In The Ayer is a very upbeat "club" song, Dont Know How To Act is a "gangsta" in my opinion.
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JarvisTMar 24, 2008This is not a bad album.
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SchofieldMar 24, 2008It makes me wanna cry that their best song is "Low." How is that a hit???? HIP HOP is DEAD
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JakeB.Mar 26, 2008Bloody excelent
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EricB.Mar 28, 2008Very upbeat CD, Amazing collaborations from Sean Kingstean, Will I AM, TIMBO, to Rick Ross. This CD shines with one of the best guest appearance lineup in music history. A must listen to; best tracks are Low, Roll, Elevator, In the AYER, and Miss Hangover.
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BarryC.Apr 9, 2008Its amazing to consider how ingloriously hip-hop has fallen to the astonishing low it is at now. This is the type of rap music that is playing on MTV right now.
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GPurdsMar 22, 2008A good CD, some really sick beats, and superb hooks. Flo does his thing, has a sick voice, dirty flow, and peppers in some witty lyrics. Overall, very, very enjoyable listen. A CD that finally packs a lot of upbeat punch.
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Jan 27, 2011
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May 10, 2016only a couple songs on here sound good. the rest sound very poor. this isnt hip hop. more like pop radio friendly songs. either way its not a good album still.
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Here, he doesn't offer much more than a couple worthy singles and a handful of decent album cuts, and those highlights, such as the Timbaland-produced (and hogged) "Elevator," tend to be memorable more for the beats and the hooks than the rhymes.
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For every witty rhyme, there is enough cringe-worthy couplets.
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His guests on Sunday bring ferocious beats (like will.i.am on ''In the Ayer'') and infectious hooks (Sean Kingston on ''Roll'').