• Record Label: 4AD
  • Release Date: Aug 21, 2012
Metascore
74

Generally favorable reviews - based on 37 Critic Reviews

Critic score distribution:
  1. Positive: 26 out of 37
  2. Negative: 2 out of 37
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  1. Aug 31, 2012
    20
    Mature Themes is simple self-indulgence and that's rarely worth listening to.
  2. Aug 31, 2012
    30
    Ultimately, this is a celebration, rather than an analysis, of several species of awfulness.
User Score
8.2

Universal acclaim- based on 31 Ratings

User score distribution:
  1. Positive: 28 out of 31
  2. Negative: 1 out of 31
  1. Nov 29, 2021
    7
    On his first outing since 2010 breakthrough Before Today and first album of all new material in years, LA's Ariel Pink has proven himself aOn his first outing since 2010 breakthrough Before Today and first album of all new material in years, LA's Ariel Pink has proven himself a compelling songwriter currently carrying the outsider music torch once held by Captain Beefheart and Tom Waits. While not necessarily a breathtaking knockout like Before Today, Mature Themes is a fantastic work of art void of any dull moments. Even weaker tracks (not many here) are worth listening to based on interesting and at times bizarre songwriting and composition. High points include bookend tracks Kinski Assassin and Baby, single Only In My Dreams, the odd yet hard to forget Schnitzel Boogie, and the soft rock meets Elvis Costello pop gem title Full Review »
  2. Sep 4, 2012
    9
    On his first outing since 2010 breakthrough Before Today and first album of all new material in years, LA's Ariel Pink has proven himself aOn his first outing since 2010 breakthrough Before Today and first album of all new material in years, LA's Ariel Pink has proven himself a compelling songwriter currently carrying the outsider music torch once held by Captain Beefheart and Tom Waits. While not necessarily a breathtaking knockout like Before Today, Mature Themes is a fantastic work of art void of any dull moments. Even weaker tracks (not many here) are worth listening to based on interesting and at times bizarre songwriting and composition. High points include bookend tracks Kinski Assassin and Baby, single Only In My Dreams, the odd yet hard to forget Schnitzel Boogie, and the soft rock meets Elvis Costello pop gem title track. Full Review »