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The WireJun 29, 2021The record’s surfaces are highly polished and glisten with a near futurist glow that’s only occasionally interrupted by percussion, most affecting when those pristine surfaces recede to emphasise the melodic lines that dance over them. “Vanity” lets ominous synths rumble while ornate electronics flourish above while the reverberating motif of “Tasakuba” is potent with longing and desire. [Jul 2021, p.69]
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Jun 11, 2021There's something truly extraordinary about Al Qadiri's constant balancing act of light and dark, and each passing moment brings with it a new thrill. The romance, despair and yearning of Middle Age verses comes through effortlessly in Medieval Femme, where Al Qadiri's own talent as a storyteller is magnificent.
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UncutMay 28, 2021Here she uses soft synths to emulate an organ, lute and pipes, which combine on the likes of “Vanity” and “Qasmuna (Dreaming)” to cast an alluring spell, evoking the likes of vintage Boards Of Canada and Catarina Barbieri’s superb Ecstatic Computation. [Jul 2021, p.21]